Solidão no Fundo da Agulha
After fifty years of military dictatorship Burma's first girl band faces a tough reality. When you're finally allowed to speak, what do you say? In a country undergoing massive change, five feisty young women break free of tradition in their search for an original voice.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Sleaford Mods - Invisible Britain shows the most exciting and uncompromising British band in years sticking two fingers up to the zeitgeist and articulating the rage and desperation of those without a voice in austerity Britain. The film follows Sleaford Mods on a tour of the UK in the run up to the 2015 General Election, visiting the neglected, broken down and boarded up parts of the country that many would prefer to ignore. Part band doc, part look at the state of the nation, the documentary features individuals and communities attempting to find hope among the ruins, against a blistering soundtrack by Sleaford Mods.
Optically printed fragments of film I shot in the autumn months in Seattle. -JB This film was made in response to seeing some of Caryn Clines films. Caryn re introduced me to shooting my films outside. -JB
A collection on DVD of her first hits with special features of duet with Josh Groban on "The Prayer", backstage with Charlotte Church, an interview, and a video tour of Cardiff.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
In February 2016, rock 'n' roll trio Thelma & the Sleaze embarked on the world's first “Intra-City Tour”. They played 31 shows in 29 days and raffled off a promotional mini-van in the process, in an unprecedentedly absurd publicity stunt that raised the bar for independent artists everywhere. Exploring the furthest of reaches of Nashville’s music scene, blazing new trails in its wake, the film follows the twists and turns, triumphs and follies of all 29 days as Thelma & the Sleaze bring their raw rock 'n' roll fury through DIY spaces, art galleries, laundromats, screen printing shops, record stores, clothing shops, candy factories, roller rinks and even a McDonald’s.
Pianist Richard Glazier offers a unique view of Broadway and Hollywood music using fascinating interviews, piano performances and commentary in this broadcast special.
Rock is music for young people. Nick Rock-n-Roll, the protagonist of the film, doesn’t agree with it all. He’s 48 years old and as during his youth he still feels music deeply and looking for something special, unusual, which is out of stereotypes and mainstream. This film is about immersion in a world of new independent rock-music in Russia. Dipping into it Nick Rock-n-Roll remembers his own life, analyzing the nature of his passionate love to rock. His eternal search allows Nick not to feel his age that’s why it is necessary for him always to slake his thirst. Features four independent bands: Bosch's With You, Last Tanks in Paris (П.Т.В.П.), Deti Picasso, Salvador
"The evaporation or the centralization of the self. Everything is there." —Charles Baudelaire A sensorial approach to landscape In the deep contemplation of landscape the senses are altered. We feel a sublimation experience where the mental image of landscape undergoes a metamorphosis. The actual space is distorted, time flows in a different way: it stops in our consciousness. It is the connection at the "full instant," the idea of "durèe" of Henri Bergson, where the intensity of the experience makes the image of landscape expands.
Documentary about the influential New Zealand indie label Flying Nun Records.
Documentary about the contemporary garage scene.
Documentary about the making of José Gonzales' "In Our Nature".
In this short film, the French photographer, Valérie Jouve explores the way in which an era constructs countless layers of time and space without feeling any need to establish connections between them. The film is about time or, more precisely, the various times that today make up our everyday life.
Music lovers fascinated by the ideas, experiences, and emotions that serve as the foundation of Jamaican reggae are invited to explore the history of the legendary Soul Syndicate - a collection of talented musicians who provided backup instrumentation for such acclaimed artists as Jimmy Cliff, Toots and the Mayals, Burning Spear, and Bob Marley and the Wailers among others.
The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.
This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.
"Ad Vice consists of a succession of colored projection surfaces with segments of text from the worlds of advertising, sport and popular culture." - Anita De Groot
In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.