Once There Was Everything

With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

In addition to being a popular excursion destination, Äskhult's village outside Kungsbacka on the west coast of Sweden is a place where our past is kept alive while creating opportunities for a more sustainable future.

Twenty-five films from twenty-five European countries by twenty-five European directors.

Berkay Özdinç turns the ghost hotel into a protagonist, which conduces to the meeting of his parents and is thus associated with his existence. In the film which goes over the places, while wandering in the current state of the hotel, he reawakens the memory of the place with his parents’ narration.

A personal meditation on Rumble Fish, the legendary film directed by Francis Ford Coppola in 1983; the city of Tulsa, Oklahoma, USA, where it was shot; and its impact on the life of several people from Chile, Argentina and Uruguay related to film industry.

Interviews and archival footage weave together to tell the story of the Master of Suspense, one of the most influential and studied filmmakers in the history of cinema.

The film unfolds an atmospheric symphony of violence over Beirut, revealing the haunting fusion of incessant Israeli military flights and the hum of generators during blackouts. This 45-minute video essay plunges viewers into a chilling chronicle of daily life transformed by the weaponization of the air, where the terror of repeated incursions becomes a disconcertingly banal backdrop.

A found-footage essay, Filmfarsi salvages low budget thrillers and melodramas suppressed following the 1979 Islamic revolution.

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

An experiment and a dialogue about recording, the act of filming and the colors available to whoever points the camera somewhere.

"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.

Um Documentário Brasileiro

Documentary filmmaker Renton Hinderer takes a look back at his long relationship with one of his closest friends to understand the paths we choose in life, and how friendship is eternal through it all.

A boy from Vila do Conde records a love letter on a cassette. His voice blends with music, archive images and stories from the past, some lived and others heard.

A documentary film contrasting present-day Lithuania with extracts from a peasant's diary from 1984/85.

Make Moravia Great Again

This experimental Western horror film set in the Moravian region of Slovácko offers a new take on the legend of Saint Wenceslas. Against the backdrop of a shabby folk festival, the mythical prince Boleslav, a zombie from a wine cellar, battles his brother Wenceslas over the nature of Czech statehood and a plate of tomato soup.

The second part of the endless series about Moravia offers an even darker descent into the soul of Moravia, which is, however, intoxicating like a slightly delirious state after a sip of wine and chewing on a clod of mother earth. A visually distracting journey focused on the undercurrents of Moravian identity, whose echoes even Friedrich Nietzsche would not want to hear...

With the lack of personal video archive, Youhanna (the filmmaker) creates false memories using lost home videotapes shot between the 1990s and 2000s in Europe, Africa, and Asia, with the help of an Artificial intelligence programme, until a real, personal video archive surfaces, transporting him into the past to relive one more memory with his late mother.