Holy Angels

The thousand-year-old tradition of pottery in the Indian subcontinent is now under threat. With the market being flooded with plastic in the evolution of civilization, today this Pal community is becoming displaced.

Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.

On the brink of social collapse, the city of Los Angeles is full of protests in favor of immigrants and against deportations under the administration of Trump. On the border with Mexico, thousands of people try to cross every day.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.

Crayons and Paper follows Dr. Jerry Ehrlich, a New Jersey pediatrician who worked with Doctors Without Borders in war zones including Sri Lanka, Haiti, the Caucasus, and Darfur. Alongside medical care, he gave children crayons and paper, encouraging them to draw their experiences. The resulting images—bombings, shootings, and burning villages—offer a raw, heartbreaking glimpse into the impact of war on children. These drawings serve as powerful testimonies, capturing trauma that words cannot. This short film tells Dr. Jerry’s story and honors the children whose art bears witness to the horrors of conflict.

A documentary account by award-winning filmmaker John Ferry of the events that led up to the 1969 Native American occupation of Alcatraz Island as told by principal organizer, Adam Fortunate Eagle. The story unfolds through Fortunate Eagle's remembrances, archival newsreel footage and photographs.

Documents the cultural and ecological impacts of coal stripmining, uranium mining, and oil shale development in Utah, Colorado, New Mexico, and Arizona – homeland of the Hopi and Navajo.

Cao Bang, les soldats sacrifiés d'Indochine

An experimental look at the origin of the death myth of the Chinookan people in the Pacific Northwest, following two people as they navigate their own relationships to the spirit world and a place in between life and death.

The ruthless dictator Teodoro Obiang has ruled Equatorial Guinea with an iron hand since 1979. Juan Tomás Ávila Laurel is the most translated Equatoguinean writer, but he had to flee the country in 2011, after starting a hunger strike denouncing the crimes of the dictatorship. Since then, he has lived in Spain, feeling that, despite the risks, he must return and fight the monster with words.

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.

In a candid and unflinching portrait of Palestinian prisoners, Shimon Dotan takes viewers inside the highest security prisons in Israel where thousands of Palestinians fill these detention facilities.

Five female artisans from the Innu, Franco-Quebecois, and Zapotec peoples discuss their work. Their techniques, objects, and textile traditions give rise to stories that overlap. Their clothing reflects on identity and otherness.

Red Fever is a witty and entertaining feature documentary about the profound -- yet hidden -- Indigenous influence on Western culture and identity. The film follows Cree co-director Neil Diamond as he asks, “Why do they love us so much?!” and sets out on a journey to find out why the world is so fascinated with the stereotypical imagery of Native people that is all over pop culture. Why have Indigenous cultures been revered, romanticized, and appropriated for so long, and to this day? Red Fever uncovers the surprising truths behind the imagery -- so buried in history that even most Native people don't know about them.

The filmmaker traces the loss of her ancestral language over three generations of her family, and her own desire to recover it.

A fearless horse bonds two men to each other and to the traditions that define their community.

Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.

Three Alaska Native women work to save their endangered language, Kodiak Alutiiq, and ensure the future of their culture while confronting their personal demons. With just 41 fluent Native speakers remaining, mostly Elders, some estimate their language could die out within ten years. The small community travels to a remote Island, where a language immersion experiment unfolds with the remaining fluent Elders. Young camper Sadie, an at-risk 13 year old learner and budding Alutiiq dancer, is inspired and gains strength through her work with the teachers. Yet PTSD and politics loom large as the elders, teachers, and students try to continue the difficult task of language revitalization over the next five years.

On the threshold of her old age, Dolores faces a wall full of memories.

The last two surviving members of the Piripkura people, a nomadic tribe in the Mato Grosso region of Brazil, struggle to maintain their indigenous way of life amidst the region's massive deforestation. Living deep in the rainforest, Pakyî and Tamandua live off the land relying on a machete, an ax, and a torch lit in 1998.