Seethakathi

The melodramatic story of a pink crew’s tragi-comedic adventures on location. A fictionalized adaptation of set photographer Ichiro Tsuda's 1980 book The Location (Za Rokēshon), an illustrated 229-page document about the cameraman’s experiences with pink cast and crew on the sets of several films produced in the late 1970's.

Ryan and Daniel, two childhood best friends and aspiring actors, spend one final weekend together before RYAN has to move to Canada with his fiancé. Wanting to create one lasting memory, they decide to make a movie... about two guys making a movie.. about two guys making a movie. Along the way, they unpack their decades-long friendship and prepare for the next chapters of their respective lives.

Teenager Deacon works at a video shop, and his buddies, Fred and Matt, sell the bootleg porno films he acquires. Deacon gets fired, but the pals have the bright idea of filming their own Internet porn flick in order to make money and become more popular at school. Hijinks ensue as they cast and create their movie, but porn industry player Vic Ramalot grows jealous of their burgeoning success and tries to put a stop to the project.

A spell of time in the life of the five-piece Haruno family in rural Tochigi Prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.

Eliška Balzerová, Iva Pazderková, and Marie Doležalová star in a comedy about life, with all its joys and sorrows. The heroines are women from three generations: an energetic and tolerant grandmother, a perfectionist and therefore stressed single mother, and a crazy, rebellious granddaughter. The play is written in the form of stand-up comedy, which is cleverly woven into the story of one family with its everyday worries and joys, as well as major problems.

Just days from retirement, a veteran detective and his partner must race against the clock to stop a serial killer before it's too late. As the bodies pile up, they start to wonder if the killer is one of their own, and if they may be next.

As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir's "Picnic At Hanging Rock," a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene's most outrageous flicks and interviews with the renegade filmmakers themselves.

Tony has recently been released from a sentence for violent behaviour. He promises to improve his ways and is finally granted a few hours alone with his two children. They celebrate the reunion by going to the movies to see a new film by the famous, critically acclaimed Danish director Claus Volter. But the film is not the masterpiece it is said to be on the poster; the children are crying and Tony cannot get the money back he spent on tickets and candy. Tony does not give up; he seeks out Claus Volter in order to get an explanation and a refund. It is however easier said than done to get money out of a world-renowned filmmaker.

It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

Geeky teenager David and his popular twin sister, Jennifer, get sucked into the black-and-white world of a 1950s TV sitcom called "Pleasantville," and find a world where everything is peachy keen all the time. But when Jennifer's modern attitude disrupts Pleasantville's peaceful but boring routine, she literally brings color into its life.

Hrundi V. Bakshi, an accident-prone actor from India, is accidentally put on the guest list for an upcoming party at the home of a Hollywood film producer. Unfortunately, from the moment he arrives, one thing after another goes wrong with compounding effect.

Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer. But the lady is married and Karrer is determined to keep her husband away...

A movie producer who made a huge flop tries to salvage his career by revamping his film as an erotic production, where its family-friendly star takes her top off.

A young director intent on making "the greatest color crime movie ever" can't seem to finish his script--he has a beginning and an end, but he can't quite figure out the middle. The daughter of his landlord, excited to have a real "movie person" living nearby, tries to help by putting him in touch with a man who wants to collaborate on a script--the strange "Dr. Jolly"

After returning back to her childhood home, Fern, a Thai-American finds herself exploring fragments of her Vietnam war veteran father’s memories through her fungi infested house. All while her boyfriend, Thee and their dysfunctional relationship enters the same maze her parents were once in.

A young actor's fascination with Rober De Niro's TAXI DRIVER persona leads him into a morass of strange and obsessional behaviors.

When this scene is filmed, it’s six in the morning, after twilight. Soon, Hope comes back from the sea, and I’ll reveal the final scene.

A film student at Ryerson University struggles to complete her thesis project.

In an attempt to win back the public's interest, has-been Hong Kong film star Lau Wai-chi makes a comeback film with a major director. To prepare for his role as a peasant farmer in the 1960s, he travels to the mainland China countryside to experience rural life there, but his arrogance triggers a series of farces.

An impulsive youngster, who is furious with his mother, seeks assistance from a scientist for a way to become an adult overnight. His wish is granted and he begins look like a 28-year-old man. How will he deal with the complexities of adulthood? How will his relationship with his mother evolve?