In the depths of a Maine winter, an end-of-life doula prepares her clients for death while grappling with her own uncertainties about loss and mourning.
At the risk of a 5-year prison term, Francesco Da Vinci struggles with his Virginia draft board to be recognized as a sincere conscientious objector to the Vietnam war.
While the war raged on, Henry Kissinger, national security advisor to President Nixon, and Lê Duc Tho, member of Vietnam's Politburo, held secret meetings in France.
March 2020. Fabrizio, a photographer and filmmaker who lives in Luxembourg, returns to his family in central Italy after his father has suffered a heart attack. It’s the beginning of the pandemic, the country is in lockdown. An intimate diary and an ode to filial love in the face of the most trying circumstances a son can face. A tale of the soul and personal hardship in the context of a broader collective tragedy.
The son can't stop wondering. What is dad going to do after retirement? So he starts filming him. Dad wants to have a shot at becoming a street artist in Montmartre, Paris, a longtime dream of his. To the mother, it sounds like just another absurd dream. Anyhow, 2 years later, the father puts his plan into action and sets off for France. Right until his departure, the mother doesn't know what to make of it. While dad spends one month as a street artist, the son and mother follow him to Paris...
During the Vietnam War, the US bombed Laos more heavily than any other country had been bombed before. Today, the Lao people live among, and risk their lives to clear, over 80 million unexploded bombs on their doorsteps. With great beauty and empathy, this documentary reveals the unbelievable stories of the men and women at the forefront of this monumental task.
In August 1997, the tragic death of Diana, Princess of Wales, stunned her family and catapulted the British public into one of the most extraordinary weeks in modern history. What was it about Diana that resulted in such an outpouring of grief? And what does that week reveal about Britain's relationship with the monarchy, then and now?
The Finnish modern dancer Noora Hannula dances through this documentary film in her own explosive style. Noora’s life has always been very connected to the artist environment with her grandfather, Simo Hannula, who throughout his entire life dedicated him fully to his art. Noora and her grandfather crossed paths when Noora used a picture of his dead body in her show and now we meet Noora working on her newest show: The Era of No Talent Rising, while she is trying to figure out where her own limits are.
Herbert Fingarette once argued that there was no reason to fear death. At 97, his own mortality began to haunt him, and he had to rethink everything.
In a delicate and humane manner, this film touches upon a very serious issue: how to stop fearing death while being in love with life. We talk (and laugh) about this subject with the protagonists of this film, modern geniuses and ordinary people from different parts of the world.
A U.S. Navy Commander Jeremiah Denton leading a plane sortie into North Vietnam was shot down and captured as a POW. For 8 years of his life, he was a prisoner at Hanoi Hilton where he and other POWs were tortured. In a press conference, being forced by the North Vietnamese to say he was being treated well he blinked out the letters TORTURE in Morse code.
An exclusive interview with Death as he goes about his everyday business.
Before becoming a film critic, then a maker mainly of sharply engaged documentaries, usually in tandem with her late husband Lino Del Fra, Cécilia Mangini was a photographer. Taking pictures was something she did all her life, alongside whatever else she was working on. In 1965 Mangini and Del Fra went to war-torn Vietnam to make a film they never finished. More than half a century later, she returned to these images, moving and still, some of which she found again by accident.
I meet Herbert in the same week I get diagnosed with cancer. We fall madly in love and plan to stay together for the rest of our lives. Three months later, he is dead. Herbert was a BASE Jumper. Leaping off a cliff with nothing but a parachute, he loses his balance, slams into the rock face and falls to his death. His loss in the midst of my chemotherapy completely throws me. Why does he gamble his life away, while I fight for mine? Desperate for answers, I return to Lauterbrunnen, the scene of the accident where Andreas, his best friend and coach, introduces me to the world of BASE. The jumpers teach me not only about the sport, but about facing fears, harnessing and controlling them. To make the most of the life we get. In the Swiss Death Valley I slowly find my way back to life.
69, année pandémique
A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
A documentary about the Cu Chi tunnels in Vietnam during the Vietnam war. The film contains interviews with survivors of the war who inhabited the tunnels, including archival footage, and photographs. The filmmakers visit the tunnels in current day to explore the way so many Viet Cong lived during the war. The documentary features an interview with Robert Biss (American P.O.W. captured in 1966, who was at the "Hanoi Hilton"), and the Viet Cong member who captured him, explaining the events and emotions surrounding the event.
Four experts in different areas such as religion, philosophy and thanatology, share their wisdom when it comes to death.
The production is a poetic impression, its tone is mournful. The film shows the landscape of Vietnam two years after the end of the war. There is no commentary in the production, the image is accompanied by Mozart's composition.
Over the period of 25 years the director met General Võ Nguyên Giáp, a legendary hero of Vietnam’s independence wars, a number of times. She was the first American who entered the home of the “Red Napoleon”. The fruit of this friendship is a film, personal and politically involved at the same time. Travelling across the country and talking to important figures as well as ordinary people, the director finds out more about her roots and offers the audience a unique perspective on Vietnam’s present and past.