As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.
The life of Mi-sun, an elementary school lunch cook, is somewhat similar to that of her mother. The story of Mi-sun, who is someone's daughter, wife, mother, and friend who has been called a 'feeding lady' after college, when she dreamed of becoming a teacher.
Following a series of intimate conversations between a former couple who lived through two years of domestic abuse, A Better Man infuses new energy and possibility into the movement to end violence against women.
Capturar (Las 1001 novias)
The film is about the director’s mother, the movie actress Nina Antonova. Now she is 80. She has had hundreds of roles – big and small. It is a personal story about an honest and sad life, about self-sacrifice and freedom. Real fame as an actress came to her only once in her life. It was the leading role in the first Soviet colour TV series Varka’s Land. That was 45 years ago…
In 1999, Colorado mother Jessica Gonzales experienced every parent’s worst nightmare when her three young daughters were killed after being abducted by their father in violation of a domestic violence restraining order. Devastated, Jessica sued her local police department for failing to adequately enforce her domestic violence restraining order despite her repeated calls for help that night. Determined to make sure her daughters did not die in vain, Jessica pursues her case to the US Supreme Court and an international human rights tribunal, seeking to strengthen legal rights for domestic violence victims. Meanwhile, her relationship with her one surviving child, her son Jessie, suffers, as he struggles with the tragedy in his own way. Shot over the course of nine years, Home Truth chronicles one family’s incredible pursuit of justice, shedding light on how our society responds to domestic violence and how the trauma from domestic violence can linger through generations.
The Rastreadoras de El Fuerte are a group of mothers of disappeared persons in northern Sinaloa who, in the absence of the authorities, twice a week go out with picks and shovels in search of the remains of their children; a testimony of the abandonment of the State, the aggressions of the drug traffickers, the indifference of society and the pain, but also of the strength and courage that keep these women together, and of their empowerment to mobilize society in community organization.
Mother-of-two Judy Malinowski, then 31, was doused in gasoline and set on fire by her crazed boyfriend – and one of the first ever to testify from beyond the grave, at the trial for her own murder. A story that lives at the intersection of true crime and #MeToo, THE FIRE THAT TOOK HER goes deep inside a landmark case to ask a timely question: How much must women suffer in order to be believed?
Victim of a terrible plot, Captain Dreyfus was sentenced in December 1894 to deportation for high treason. His wife Lucie made a pact with him: to live, whatever the cost, while awaiting rehabilitation. During five years, the Dreyfus spouses exchanged hundreds of letters. They became a weapon of survival for Alfred. This film is the story of the correspondence of a man and a woman who unwittingly became the unsung heroes of the case that bears their name.
Jack is a vegan activist. His father is a slaughterhouse worker. After years of avoiding the subject, Jack sets out to confront the unspoken tension between them.
Celebrated author and Nation magazine sports editor Dave Zirin tackles the myth that the NFL was somehow free of politics before Colin Kaepernick and other Black NFL players took a knee.
Middle-aged women start acting and launch a drama club. However, nothing big or small goes right. But they never give up the play.
Award-winning French writer Christine Angot goes on a business trip to Strasbourg where her father lived before dying several years ago. It is the city where she met him for the first time at the age of 13, and where he sexually abused her over the following years. His wife and children still live there. Angot takes a camera and knocks on the doors of her family to push them to clarify their attitudes to her father’s crime that stretched over so many years. A cinematographic journey that challenges social norms and family perspectives in dealing with incest.
An overview on different difficult personality types and how to deal with them in personal and professional settings.
After years of being silenced through violent opposition, Norma Burton, one of the key founders of the first women’s shelter in Tulsa, OK, tells an untold story of the battered women's movement. In the late 1970s and early 1980’s LGBTQ, BIPOC, and formerly abused women across the US gathered in secret to create a grassroots movement that became today's National Coalition Against Domestic Violence, despite persecution and death threats. Norma recounts to her daughter, director Nisha Burton, how she and her collaborators alerted the police of rising cases of domestic violence and ultimately decided to take matters into their own hands by conducting support gatherings in their homes around the kitchen table. These meetings led to the founding of the first battered women’s shelter in Tulsa, OK in 1975. The years that followed were filled with harassment and verbal and physical attacks on Norma and fellow organizers, but today these courageous advocates continue to support the movement.
Je ne sais pas si c'est tout le monde
Short documentary about sibling violence
For over thirty years, three women have languished in Missouri State prison under unjust sentences for killing their abusive husbands. Denied the opportunity to enter the abuse into evidence, each of the women represents a system broken by outdated and media-sensationalized stereotypes. When a greater understanding of the "battered" syndrome change legal practices in 2000, Missouri's Governor crafts a new law demanding the parole board reevaluate each woman's case.
Asta and Søren are not a couple. They're not friends with benefits either, and they’re definitely not pen pals with benefits. So, at the end of the day, what are they? With a single camera setup, the viewer is given access to a private space.
Are eligible Indigenous bachelors an endangered demographic in the 21st century? That’s the question cheekily posed by Tracey Rigney’s debut documentary short, which invites First Nations individuals to confide what they desire, what holds them back, and their hopes and worries about whether they’ll ever find The One. Endangered first screened at the Melbourne International Film Festival in 2005.