The Border

A detective, goes from Spain to the Venezuelan Guajira, hired by the king of Wuayuus, to protect her, Niña de Maracaibo (wife of King, who belongs to an aristocratic family in the city) the detective tries to discover a conspiracy greater than initially imagined. Where he is only one piece in a plot which mixes smuggling, power struggles and tribal magic. The clash of two opposite visions, the 'Western' Spanish researcher, and the 'native' the Wuayuu original owners of Caribbean, converts this format film apparently 'police' in a thesis film revealing the mystery of the still existing singular South American identity.

El Regreso is a venezuelan movie written and directed by Patricia Ortega, which tells the story of a Wayuu girl that survived the slaughter of his people, in Bahía Portete from the Colombian Guajira, and therefore, she is forced to grow in a unknown world to her.

Ryuzo, Japanese young man who has committed a crime of passion in Tokyo, is sent by his father to Paraguaipoa to escape justice. In this place, inhabited by the Wayuu ethnic group, meets Princess Campanula. Among them was a love affair, not welcomed by the smuggler Challenger occurs.

The sound of metal creaking as if something is about to break. An old pickup truck adapted to carry passengers crosses the La Guajira desert in Colombia. With the wind come voices that merge among the passengers who travel there. A Wayuu woman returns to her territory, accompanied by her family, after years of exile due to a paramilitary massacre. A cyclical journey where the time layers of the territory touch and the border between the living and the dead is diluted.

Viviana and Yandris weave red and yellow yarn into bags. In the distance we hear the hammering of machines, the wail of sirens and the thunder of explosions.

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

When a girl in the Wayuu tribe has her first menstruation, begins her transformation from girl to woman, locked up and isoleted by the rest of her family for at least a year, learning the most ancestral traditions of her Wayuu ethnic group.

A political drama with elements of a thriller discusses politics, electoral fraud, and the decay of moral values, taking place in the fictional town of Rovte under the idyllic Alps. Franta, a corrupt mayor, is about to lose the election. After a TV debate, where he fails utterly, Franta calls his mistress Jozica in desperation. She advises him to seek the aid of Fleischmann, a criminal who is the only one capable of solving the problem on such short notice. After all, there are only four days left until the elections.

Depicted on the backdrop of 1651 when the emperor was Shahjahan and the subadar of Bengal was Shajada Suja. Amidst the conspiracies of the royalty, a young man decides to expose the schemes and reunite with his lover after the Nasimpur territory of Bengal gets occupied by a Mughal prince.

In 1973, when Frank Bledsoe and his 18-year-old niece Beth take a road trip from Manhattan to Creekville, South Carolina for the family patriarch's funeral, they're unexpectedly joined by Frank's lover Walid.

The Boat People is a psychological thriller. Jared is taken to the coast by his new girlfriend, Alice. They stay in the seaside cottage she's owed all her life with her sister, Cleo. As soon as he gets there, Jared begins to have haunting dreams.

In ancient Egypt, Queen Neco Tokris angers the high priest by falling in love with a minor cleric. The high priest arranges for his rival to be stoned to death, and the queen, rather than submit, allows herself to be buried alive with her lover's body. Many centuries later, a ship steams toward Cairo, Egypt. Among its passengers are wealthy playboy Reginald Stanhope; vaudeville dancer Celia Thaxter and her manager, Gregory Gallup, who together are maneuvering Reginald into marrying her. Also aboard are Herbert Boone, a shell-shocked drug addict, and his nagging wife, Adele; Kelim Pasha, an Egyptian prince who attracts Adele Boone's affections; and Mahmud, an Egyptian mystic who insists that Celia Thaxter and Herbert Boone are the reincarnations of an ancient Egyptian queen and a priest who sacrificed themselves for their love.

Richard Boyd, a wealthy idler who has inherited the Boyd Shipping Company, decides to prove himself to his fiancée, Pauline. A fleet of ships on which the company has an option is coveted by Oriental merchant-tycoon J. Young. Aided by Andrew Dunn, general manager of the Boyd concern, Young has Boyd and Pauline shanghaied; and Sam, his Negro valet, follows. Following a spectacular shipwreck, the couple are rescued; there is a race between a hydroplane and a motorboat; but after a series of exploits in Young's stronghold, Richard, aided by Sam, gets the ships and the girl.

An LGBTQ+ Love Story Like No Other

Golpe Fantasma

Inspired by William Greaves' 1968 experimental documentary Symbiopsychotaxiplasm, Camp Sasi attempts to make a version of his own.

'Why Don't You Dance?' is a short film adaptation of a story by American writer Raymond Carver from his collection 'What We Talk About When We Talk About Love'. The film explores just that: what it means to talk about love, to find love in unexpected places and to let love change you in ways you would never predict it could. The film follows three people as they search for answers about themselves, the world around them and each other. It's a portrait of self-knowledge, love and independence.

A former U.S. soldier returns to his hometown to find it overrun by crime and corruption, which prompts him to clean house.

Young sailor Edmond Dantès is wrongfully imprisoned, escapes, finds treasure, and reinvents himself as the wealthy Count of Monte Cristo to exact revenge on those who betrayed him.