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After four years away, Huiju returns home to South Korea. Exchanges with her loved ones are awkward and clumsy. Huiju turns once again to her familiar rituals: pruning the trees, preparing a sauce, tying a braid.

This short documentary is the portrait of an 88-year-old woman who lives alone in a log cabin without running water or electricity in the Williams Lake area of British Columbia. The daughter of a Shuswap chief, Augusta lost her Indian status as the result of a marriage to a white man. She recalls past times, but lives very much in the present. Self-sufficient, dedicated to her people, she spreads warmth wherever she moves, with her songs and her harmonica.

Documentary that highlights 18 women and covers a period of time from the 50's to the 90's. The women chosen were selected because they represent the real diversity within both feminism and independent film and video. They range in age from 65 to 25. They are black, white, Puerto Rican, Yugoslavian, Asian American, biracial. They are straight, gay and bisexual. What they share is a need to express their own interpretations of what American culture is and could be and a belief that this work is made particularly powerful through the media.

Once upon a time, villagers in a tiny hill town in Tuscany came up with a remarkable way to confront their issues: they turned their lives into a play. Every summer, their piazza became their stage and residents of all ages played a part – the role of themselves. Monticchiello’s annual tradition has attracted worldwide attention and kept the town together for 50 years, but with an aging population and a future generation more interested in Facebook than farming, the town’s 50th–anniversary performance just might be its last. SPETTACOLO tells the story of Teatro Povero di Monticchiello, interweaving episodes from its past with its modern-day process as the villagers turn a series of devastating blows into a new play about the end of their world.

$avy investigates the historical, cultural, and societal norms around women and money.

Amateur travelogues by women in the 1920s-50s are woven into this meditation on the traveler’s gaze. A mountaineer, a divorcee on a tour of biblical gardens, an antique merchant and others are revealed through their own optical autobiographies.

The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.

In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.

Documentary on the great American Ballerina Wendy Whelan

A coast guard captain on a small Greek island is suddenly charged with saving thousands of refugees from drowning at sea.

Dana and Amit met when they were 25, they married and had 2 children. Soon after their second child, Amit turned ultra-orthodox. Dana stayed secular. They are still very much in love. Will their love be able to overcome the growing gaps between them?

When filmmaker Kathy Leichter moved back into her childhood home after her mother's suicide, she discovered a hidden box of audiotapes. Sixteen years passed before she had the courage to delve into this trove, unearthing details that her mother had recorded about every aspect of her life from the challenges of her marriage to a State Senator, to her son’s estrangement, to her struggles with bipolar disorder. HERE ONE DAY is a visually arresting, emotionally candid film about a woman coping with mental illness, her relationships with her family, and the ripple effects of her suicide on those she loved.

Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.

How did the willful daughter of a Himalayan forest conservator become Monsanto’s worst nightmare? The Seeds of Vandana Shiva tells the remarkable life story of Gandhian eco-activist Dr. Vandana Shiva, how she stood up to the corporate Goliaths of industrial agriculture, rose to prominence in the regenerative food movement, and inspired an international crusade for change.

SWIMMING LESSONS documents the rituals, hopes, and doubts within an evangelical support group for teenage girls, blending Pentecostal ceremony with stories of two of its members; one who wants to learn to swim before she loses her sight, and one whose mother drowned in a flood.

'Hannah' tells the story of Buddhist pioneer Hannah Nydahl and her life bringing Tibetan Buddhism to the West. From her idealistic roots in 1960's Copenhagen to the hippie trail in Nepal, Hannah and her husband Ole became two of the first Western students of His Holiness the 16th Karmapa - the first consciously reincarnated lama of Tibet in 1110. Hannah went on to become an assistant and translator for some of the most powerful Tibetan lamas and a bridge between Buddhism in the East and the West.

When adults are ineffectual, children have to grow up quickly. Ola is 14 and she takes care of her dysfunctional father, autistic brother and a mother who lives apart from them and is mainly heard the phone. Most of all she wants to reunite a family that simply doesn’t work — like a defective TV set. She lives in the hope of bringing her mother back home. Her 13 year old brother Nikodem’s Holy Communion is a pretext for the family to meet up. Ola is entirely responsible for preparing the perfect family celebration. “Communion” reveals the beauty of the rejected, the strength of the weak and the need for change when change seems impossible. This crash course in growing up teaches us that failure is not final. Especially when love is in question.

Nine men gather for a workshop on a rooftop. There they perform confrontations of everyday life, with the police and at the workplace. In the process, the actors engage a space between the theatrical and the real. This is not a film about workers. The factory is a microcosm, a miniature Egypt.

The story of the Northern Ireland Troubles through the unflinching testimony of two men who played key roles on opposite sides of that bloody conflict. Nearly ten years ago the two paramilitary leaders told their stories on condition that they could never be revealed while they were still alive. The stories told by the Irish Republican Army's Brendan Hughes and Ulster Volunteer Force's David Ervine tell us of the motivations of the participants, the planning of campaigns of violence, the misery of a hunger strike, the tracking and killing of informers and the duplicity that ended a conflict that had lasted too long. It is also a narrative of the fate of combatants when their wars are over.

Beneath Hong Kong's glittering facade, Filipina domestic helpers work in relative anonymity and for near-slave wages. In a beauty pageant like no other, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.