No Money, No Future

PROJEKT A is a documentary that resists the common clichés about anarchism to instead show anarchist ideas of a society in which no one shall have the power to control knowledge, natural resources, land, soil or other people. After inspiring over 25,000 German cinema-goers, this award-winning documentary about anarchism and anarchist projects in Europe is now available on VoD! “Projekt A stirs up the audience and is grippingly shot, getting close to the kinds of tenacious people who are so vital to change in our society.” (kinokino) “…a cinematic portrait, not of anarchy, but of anarchists. A story, not of possibilities, necessities or even failure, but a depiction of achievements, initiative, action, ideas, as well as success.” (kino-zeit.de) Audience Award Filmfest Munich

A feature length concert film of the former frontman of the resurrected Misfits, Michale Graves at the Europa Club in Brooklyn, NY.

Long before Green Day and Blink 182 inflicted punk-rock's puncture wound on the map of mainstream music, the Descendents were at home concocting the perfect mix of pop, angst, love, and coffee. FILMAGE: The Story of DESCENDENTS/ALL follows drummer/square-peg Bill Stevenson and his 'caffeinated retardedness' as he pushes his rotating door of bandmates to 'achieve ALL,' his philosophy of going for greatness at all costs. Stevenson is a force to be reckoned with--not even grapefruit-sized brain tumors can keep him down.

Documentary about the tour of the Swabian punk band Cluster Bomb Unit through Indonesia in 2005.

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

Gathered together for one night, the legendary names of Reggae and more meet at Fort Charles, Jamaica for a musical event that would reverberate around the world!

A documentary about the life and music of Justin Pearson. An enigmatic underground musician and owner of Three One G records.

A fan produced, unauthorized, non profit concert documentary featuring the Misfits playing their first show since 1983. Glenn Danzig and Jerry Only reuniting with Doyle as "The Misfits" to play two Riot Fest dates in 2016 was an unparalleled example of Hell truly freezing over. A obsession with a single challenge developed: Could one rip all of the crowd shot videos floating around on YouTube and sync their audio in order to recreate the FULL 80 minute show? The answer was yes.

Chris Packham reveals how punk rock not only may have saved his life as a teenager but how it has given it meaning and informed everything he has done ever since.

Adrian Edmondson narrates a documentary chronicling the story of Stiff Records, a tiny independent that took music out of the boardroom and gave it back to the fans. Stiff's successes included Nick Lowe, the Damned, Elvis Costello, Ian Dury, Madness, Tracey Ullman and the Pogues. Contributors include Captain Sensible, Jonathan Ross, Suggs, Shane MacGowan and label founders Jake Riviera and Dave Robinson.

A documentary about the three Woodstock music festivals.

Form small beginnings on a Victorian farm to globetrotting punk rock icons, the Cosmic Psychos became one of Australia's most influential bands. Now after thirty years of music making, 'Cosmic Psychos: Blokes You Can Trust' documents the highs and lows of the group's musical career as told by members from the Melvins, L7, Mud Honey, Pearl Jam, and The Hard-Ons with other international music producers and from the Cosmic Psycho band members themselves.

A documentary on the late American entertainer Dean Reed, who became a huge star in East Germany after settling there in 1973.

A documentary about the life and career of UK singer-songwriter and Adverts frontman, TV Smith.

A vibrant kaleidoscopic tribute to the guitar that meshes dance, mime, visual art, and virtuoso performances to create a spectacular yet intimate celebration of the instrument. For one exciting week the city of Toronto plays host to the International Guitar Festival. The streets echo with the sounds of the instrument as the great masters from every tradition gather to play for each other -- John Williams from England, Leo Brouwer from Cuba (classical), Turibio Santos from Brazil (folk), Vladimir Mikulka from Czechoslovakia (avant-garde), Rik Emmett and Kim Mitchell from Canada, Steve Morse from the USA (rock).

Satan Panonski, born Ivica Čuljak in 1960, was a Croatian punk musician, poet, artist and freak performer. We get to follow his performance at the Studentski Kulturni Centar, Novi Sad, visit the cult station of Radio B92, a conversation at the apartment and finally the never presented staff from the Popovača Hospital. In 1991, Čuljak joined the Croatian army in the Croatian War of Independence. He died in 1992 while still a Croatian soldier. The cause of his death is unknown. It is rumored that he died after slipping and accidentally discharging the gun he was carrying.

Loud, fearless and (un)typical girls: Gina Birch (The Raincoats) and Helen Reddington (The Chefs), musicians and punk icons turned directors, serve up a fascinating documentary built on new interviews with the women who played instruments in punk bands in the 1970s. In accounts laced with wit, honesty and insight, pioneering players including the Adverts’ Gaye Black (bass), Palmolive from The Slits (drums), Shanne Bradley from The Nips (bass), Jane Munro from The Au Pairs (bass), Hester Smith and Rachel Bor from Dolly Mixture (drums and guitar), bassist Gina and guitarist Ana Da Silva from The Raincoats, as well as many others, we hear about acquiring instruments, learning to play, forming bands and getting gigs.

Documentary about punk band Heavy Load, subject to the combustible flux of ego, ambition, fantasy, expectation and desire that fuels any emerging band, but uniquely made up of musicians with and without learning disabilities. This makes the band's survival a precarious negotiation between two different worlds - on the one hand the institutional timetable of day centres, work placements and social workers and, on the other, the chaotic slacker life of rehearsal rooms, studios and gigs. (Storyville)

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.