Occupied Cinema

From both local and global perspectives, this documentary examines the harsh realities behind the mounting water crisis. Learn how politics, pollution and human rights are intertwined in this important issue that affects every being on Earth. With water drying up around the world and the future of human lives at stake, the film urges a call to arms before more of our most precious natural resource evaporates.

Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?

“El apagón: Aquí vive gente” is a 23-minute film that explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.

"The Boss" is a documentary about transition, privatization and corporations in Croatia, and touches upon the history of the largest Croatian corporation - Agrokor.

The Confederation of Haitian Workers (CTH) invited an Industrial Workers of the World (IWW) delegation to Haiti to learn about their fight against "le plan neoliberal" and recruit help in the form of material aid and solidarity. The delegation was in Haiti from April 24 to May 25, 2008, two weeks after the country erupted in mass protest at burgeoning food prices. This video shares the stories and experiences.

No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle’s view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that “it is no measure of health to be well adjusted to a profoundly sick society.”

Can you imagine a water market? A market where owners of water stock would buy and sell, while others would profit on its price without needing it? What would life be like if all of the planet’s water resources, superficial or subterranean, the waters of rivers, lakes and glaciers, belonged to the private sector? ‘Life For Sale’ examines the biggest water market in the world, set up in Chile.

A journey through abandoned cinemas of Sardinia interspersed with memories of three senior projectionists, a profession now suppressed by technology.

Enchanting holiday tale of a young runaway who has broken into an old movie palace, looking for shelter on a snow-filled Christmas Eve. Closed for decades, the building is filled with countless discarded artifacts from the past. The girl is discovered by the old caretaker, who uses the ghosts and spirits that inhabit this long-abandoned world to turn her life around.

A group of thieves and outcasts are living in a big abandoned movie theater where they have created a very friendly and very particular universe. The police will use all its resources to violate their space, but again and again fail in their attempts.

In the not-so-distant future, a terrible water shortage and 20-year drought has led to a government ban on private toilets and a proliferation of paid public toilets, owned and operated by a single megalomaniac company: the Urine Good Company. If the poor don’t obey the strict laws prohibiting free urination, they’ll be sent to the dreaded and mysterious “Urinetown.” After too long under the heel of the malevolent Caldwell B. Cladwell, the poor stage a revolt, led by a brave young hero, fighting tooth and nail for the freedom to pee “wherever you like, whenever you like, for as long as you like, and with whomever you like.”

A classic Czech comedy about the privatization of a small South Bohemian brewery. In a series of comical situations, good Czech police officers encounter the mafia, and honest citizens encounter swindlers. This amusing story, which of course includes a romantic subplot, is significantly influenced by fairy-tale creatures that suddenly emerge from the distant past.

Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.

Pulitzer Prize-winning MAUS cartoonist Art Spiegelman uses his harrowing experiences as a New Yorker on September 11, 2001 as the catalyst for this haunting meditation on the most horrific terrorist attack ever carried out on American soil. Narrated by John Turturro and featuring a unique fusion score by Sintax Error, this powerful multi-media experience brings the critically-acclaimed graphic novel to life like never before.

Lovci lebek

První celostátní plachtařské závody

Vlna je na horách

Zrození sopky

A leader in a white nationalist hate group finds healing from the people he once hated - a Muslim heart doctor and his town of refugees. Chris is a husband and father, a veteran, and until recently, a leader in the KKK. He started hating Muslims when the planes hit the twin towers, but is forced to confront his hate when he receives a text from Muslim refugee, Heval. CLARKSTON illustrates the roots of hate, its devastating impacts, and ultimately how it can be overcome.

Petr Brandl – malíř světla v době temna