The Films of Bruno Mattei

A documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.

Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.

This documentary explores an unknown civilization of the Brazilian Amazon, who risk their lives to protect their forest. In order to save the exploitation of the environment by big corporations, they have to create legal institutions.

Documentary about the prolific French film company Eurociné.

The tragic and shocking story of the notorious Magdalene Laundries, a shameful system, created by the Irish State but supported by all strata of Irish society, which enslaved more than ten thousand women between 1922 and 1996.

A documentary that reveals the underbelly of the global aid and investment industry. It's a complex web of interests that span the earth from powerful nations and multinational corporations to tribal and village leaders. This documentary offers unique insights into a multi-billion dollar world by investigating how aid dollars are spent.

Deranged projectionist Mad Ron shows a movie theater full of rowdy zombies a diverse assortment of horror and exploitation film trailers from his private collection while ventriloquist Nick Pawlow and his foul-mouthed zombie dummy Happy Goldsplatt provide lowbrow comic relief.

Since the 1970s and the influx of European, Chinese, Russian, and Turkish trawlers, West African waters have been overexploited. Whether for fishing or fishmeal production, these foreign powers have endangered the livelihoods of local fishermen and artisans.

Jayne takes us on a review of her last world tour. She takes us through Rome, shares a fantasy about Roman athletes, and then is off to Cannes. She takes a trip to the nudist colony on the Isle of Levant, where she almost kind of joins in. Then it's off to Paris, where she gets a beauty treatment from Fernand Aubrey, and attends some racy dance revues. In New York and Los Angeles, she visits some topless clubs and listens to a topless all-girl pop band. The film wraps up with some posthumous footage of her family in mourning.

This documentary explores the hidden history of the American Exploitation Film. The movie digs deep into this often overlooked category of U.S. cinema and unearths the shameless and occasionally shocking origins of this popular entertainment.

Documentary film revealing how the sudden death of a 21-year-old woman fuelled a police investigation that exposed a hidden criminal underworld operating in Northern Ireland.

In the final decades of the 20th century, the Philippines was a country where low-budget exploitation-film producers were free to make nearly any kind of movie they wanted, any way they pleased. It was a country with extremely lax labor regulations and a very permissive attitude towards cultural expression. As a result, it became a hotbed for the production of cheapie movies. Their history and the genre itself are detailed in this breezy, nostalgic documentary.

Douglas Fairbanks Jr. and Peter Fonda host an examination of the history of decency standards for movies from the early 1920s onwards.

"Why Do They Do It ?" preached that it was decent to be a sexual creature. A panel discussion in the Student Association as a kind of frame, you watch various so-called live shows and you met actors like Effie Schou, Søren Strømberg, Dale Robinson and Keld Rex Holm. A lot of attention was given to Bodil Joensen, a very pet-friendly young lady, who would like to enjoy a bull named Sofus.

What happens when western anthropologists descend on the Amazon and make one of the last unacculturated tribes in existence, the Yanomami, the most exhaustively filmed and studied tribe on the planet? Despite their "do no harm" creed and scientific aims, the small army of anthropologists that has studied the Yanomami since the 1960s has wreaked havoc among the tribe – and sparked a war within the anthropology community itself.

Though the release date says 1956, this film consists mostly of footage from a 1931 documentary called "Gow the Killer." It was the first sound film to deal with cannibalism, as it documented the social life and customs of primitive tribes that in fact did engage in cannibalism.

Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.

In the mid-1960s, Kostas left his village in Crete dreaming of becoming a star. His rugged physique and humble background afforded him only small “tough-guy” roles, yet in numerous Greek films – from big studio productions and renowned auteur masterpieces to low-budget exploitation films alike. By placing a support actor at centerstage, the film traces five decades of Greek cinema.

This documentary explores assorted "forbidden" topics from all over the world. Among the subjects depicted herein are a racy TV commercial for a female martial arts school, rowdy teenagers protesting a strict curfew on the Sunset Strip, an underground lesbian club in Geneva, a portable topless bar, and various strip acts from different parts of the globe.

A faux travelogue that mixes documentary and mockumentary footage. The camera looks through a one-way glass into the women's dressing room at a lingerie shop, visits a Kyoto massage parlor, goes inside the mailroom at Frederick's of Hollywood, watches an Australian who sticks nails through his skin and eats glass, checks out the art and peace scene in Los Angeles, takes in Easter week with vacationing college students on Balboa Island, observes a German audience enjoying a play about Nazi sadism, and, with the help of powerful military lenses, spies on a Lebanese white-slavery auction.