Scandal: The Trial of Mary Astor

Personal diary-style documentary of German Gay rights activist Von Praunheim's sojourn in the US.

Doctors of the Dark Side is the first feature length documentary about the pivotal role of physicians and psychologists in detainee torture. The stories of four detainees and the doctors involved in their abuse demonstrate how US Army and CIA doctors implemented the Enhanced Interrogation Techniques and covered up signs of torture at Guantanamo and Abu Ghraib. Interviews with medical, legal and intelligence experts and evidence from declassified government memos document what has been called the greatest scandal in American medical ethics. Based on four years of research by Producer/Director Martha Davis, written by Oscar winning Mark Jonathan Harris, and filmed in HD by Emmy winning DP Lisa Rinzler, the film shows how the torture of detainees could not continue without the assistance of the doctors.

The story of Tasmanian-born actor Errol Flynn whose short & flamboyant life, full of scandals, adventures, loves and excess was largely played out in front of the camera - either making movies or filling the newsreels and gossip magazines. Tragically he was dead from the effects of drugs and alcohol by the time he was only 50 & the myths live on. But there is another side of Flynn that is less well known - his ambitions to be a serious writer and newspaper correspondent, his documentary films and his interest in the Spanish Civil War and Castro's Cuba

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

A documentary that traces the origins of the political power structure that rules our nation and the world today. The modern political power structure has its roots in the hidden manipulation and accumulation of gold and other forms of money.

Seven strangers are interviewed to talk about the relationship they have with their mother.

We follow Roach, a 17-year-old ex-junkie and squeegee punk living on the streets of Toronto and Montreal. As part of the filmmaking process, he's been given a camera to document his world. The footage he gets is urgent, because there's a war against squeegee kids. This documentary is from the point of view of the kids themselves, in order to provide alternative voices. Roach's camera is positioned behind "enemy" lines: living in derelict buildings, squeegeeing for money, being hunted by police.

A diary piece reflecting on the time, community, love, and anxiety...oh and also Dominican food.

The documentary follows the story of two brothers who were sexually abused by the same priest of Polish Catholic Church.

In 1988, German filmmaker Volker Schlöndorff sat down with legendary director Billy Wilder (1906-2002) at his office in Beverly Hills, California, and turned on his camera for a series of filmed interviews. (A recut of the 1992 TV miniseries Billy, How Did You Do It?)

One woman and her family trek the broken mental health system in an effort to save her brother as he descends into madness. Beginning as a testimony of his sanity, his iPhone video diary ultimately becomes an unfiltered look at the mind of an untreated schizophrenic.

A documentary analyzing the social, political and cultural climate of Hollywood in the mid-1960s.

Follows the story of the beloved and internationally acclaimed Swedish actress Lena Nyman, based on 17 paper bags with diaries that she left behind.

The discovery of a VHS tape of the artist's films on eBay triggers obsessive speculation about the seller's identity.

"Art was an important factor of my childhood, where I would spend time watching mama, through the threads. Today I am back in Iceland, watching her again - this time through the camera. We have not lived under the same roof since I was a teenager. I am 35, without children and a strong desire to make a film about her. Mum is not interested in being filmed. The film does not only deal with a mother - daughter relationship, but also a filmmaker and a subject with their own will." Salóme is Yrsa´s first documentary after finishing her master in creative documentary at Pompeu Fabra, iDEC, Barcelona.

Markku built a house for his family with his own bare hands like a strong man is supposed to do. He worked hard from dawn to dusk, so that his seven children would have a roof above their heads. Unfortunately, the task ended up being too hard and Markku burnt out. One day, he left his family and disappeared abroad. The filmmaker travels to his childhood home to face his father, who he never got to know properly. Together they build a steel gate in front of the unfinished house, and try to create a relationship between each other.

In recent years, Hollywood productions have turned away from sensuality. Is the sex scene on the verge of extinction or reinvention? Alongside film professionals and researchers, this documentary deciphers a trend that speaks volumes about the evolution of the industry and our societies.

Before leaving for Rome with his mother, five year old Natan is taken by his father, Jorge, on an epic journey to the pristine Chinchorro reef off the coast of Mexico. As they fish, swim, and sail the turquoise waters of the open sea, Natan discovers the beauty of his Mayan heritage and learns to live in harmony with life above and below the surface, as the bond between father and son grows stronger before their inevitable farewell.

Thoughts, sometimes just numbers, reach us from offscreen almost like music, like a mantra or a prayer. What we see are circular fragments from familiar spaces: a mirror, a magnifying glass. A day like any other day: without medication, or perhaps better with? A film like the investigation of an uncertainty principle: do we really see better with a magnifying glass? A face scratched out of the family album: the gap is draped with flowers and cut-out pictures of clothes and finally filled again by a drawing.

A dramatized retelling of Colin Clark's experience on the 1957 film The Prince and the Showgirl, based on the diary he kept throughout production as third assistant director.