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Based on the memoir by Indian policy analyst Sanjaya Baru, The Accidental Prime Minister explores Manmohan Singh's tenure as the Prime Minister of India, and the kind of control he had over his cabinet and the country.

In Bombay's seedy-shiny film world, Manto and his stories are widely read and accepted. But as sectarian violence engulfs the nation, Manto makes the difficult choice of leaving his beloved Bombay. In Lahore, he finds himself bereft of friends and unable to find takers for his writings.

This film dramatizes events that occurred as the hostility between India and Pakistan over Kashmir came to a head in 1999, when more than 1,000 men crossed the "Line of Control" that separates the two locations. Taliban and Pakistani soldiers took over the area, blocking the main road that linked the regions. Standing their ground, Indian soldier drove them away, but not without losing more than 400 of their own men first.

Moushmi is accused of killing her best friend and roommate, but claims that it is a demon who made her do this, she is innocent. This demon has been following her since the day her sister passed away.

A true story, interwoven with a fictional poignant love story between a Rohingya girl and an Indian Special Forces Officer. It focuses on the peril, uncertainty, betrayal and misery of life in the Rohingya refugee camp.

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

A kind grandmother regales her grandchildren with timeless stories of Lord Siva to correlate with their daily chores.

A grandmother sheds light on a few stories of Lord Shiva to her naughty grandchildren, kicking it off with the great grand wedding of Shiva and Parvati in the history of time.

A 1986 Bollywood film.

During 18th century India, the Marathas emerged as the most powerful empire in the nation until the Afghan King Ahmad Shah Abdali plans to take over India. Sadashiv Rao Bhau is brought in to save the empire from the king which then leads to the third battle of Panipat.

Driven by the devastation of a famine, a patriotic landlord joins a secret brotherhood of warrior monks to lead a fiery revolt against the British East India Company, embracing the motherland's freedom as a sacred and ultimate sacrifice.

The Portuguese in 16th century India plot to take over the country.

A biopic on Jyotiba and Savitribai Phule, considered to be a pioneering couple in India’s societal history. They are often credited for underlining the importance of the girls’ education and self-dependence.

In the 1965 Indo-Pak War, India faces a devastating surprise attack. Wing Commander Ahuja leads a retaliatory strike, but Squadron Leader Vijaya goes missing after a heroic solo engagement against a superior enemy jet. Ahuja spends 23 years seeking the truth and uncovering a cover-up.

A stridently nationalistic story of India’s freedom struggle, presented through the experiences of a Bengali family from 1885, when the Indian National Congress was established, to 1947. Important events incorporated into the plot were Gandhi’s satyagraha (1920), the Simon Commission (1928), Vallabhbhai Patel’s Bardoli satyagraha (1928) and the 1942 Quit India agitations. Krishan Chander’s script, Sachin Shankar’s choreography and the acting styles owed much to the IPTA theatre of the 40s. The film, made at Bombay Talkies, was produced by the distributors of the Chicago Radio PA systems label. Kishore Kumar plays the militant hero of this quasi-documentary. Motwane included old documentary footage purchased from Kohinoor and Krishna Film, as well as a shot of Rabindranath Tagore singing his Jana Gana Mana composition, one of India’s national anthems (Arunkumar Roy’s Of Tagore and Cinema, 1994, traces this footage to Ufa, shot when Tagore visited Munich)

Based on true events that unfolded in 1975, the film chronicles incidents that took place under the leadership of Indira Gandhi, one of the most powerful women in Indian history.

In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.

During the Indus valley civilization, an Indigo farmer strives for the justice and protection of the city of Mohenjo-Daro and its civilians from an evil politician.

The film takes place in 19th Century British India and is the story of the fight for independence from the British in the years spanning from 1825 to 1875. It tells the story of two men who led the war against British Rule, Sanga and Bharat both of whom call themselves Kranti.

During the partition, Tara marries Sakina and they live a happy life. However their happiness is short-lived when Sakina's father forces her to stay in Pakistan and separates her from her family.