Nami

The screen is divided again and again until the picture arranged in ever changing strips bursts into whirring dynamic.

The film is about a destroyed family. Amy, the youngest member of the family, finds in a park a mysterious wooden box that takes possession of her. Her brother Nick plans with his best friend Kevin a house party and invites Nina, in which he has fallen in love. But the house party becomes a bloody massacre through Amy.

In 1986, four teenagers explore an abandoned church only to have to fight for their lives after discovering a cult that is on a mission to "save their souls."

A mother's constant grumbling about her daughter-in-law's dish poisons her son's marriage bit by bit.

The visual style of the film is inspired by ancient tribal symbols, which constantly morph into each other. They represent life in a womb-like frame.

A year has passed since the death of my mother and two of my sisters.

Shorts from Radiator Springs

Two female soldiers in a divided United Kingdom settle a score.

This is the story of my grandfather, Tiago Florit, who for 50 years was a film operator at the Teatre Principal de Maó, in Menorca. It is a review of his life, from his birth to his death, in a cinematographic key. A true love story to cinema.

An experimental visual poem combining film, animation, photography, and archival footage inviting people to occupy the Black Body and examine the lived Black experience for a brief moment.

A classic fairy tale about two sisters: one good and hardworking and the other lazy...

In a trash-filled city, a homeless woman's encounter with a fish takes an unexpected turn.

Mickey and his friends take a close look at important street safety situations and tips.

The atmosphere, sounds and sights of Soho Square on a summer's day.

An office worker, alone in his late-night office, wakes up from his nap to find himself trapped within his workspace. As he tries to find a way out, a faceless woman seems to haunt him.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

Lena is nine-year-old. One day, she spontaneously makes an act of love that will change her life. She will take care of a plant. An action so simple yet unusual that nowadays only children could instinctively do. Will this revolutionary gesture change the future of our world? In a blurry society made by technological progress and innovation, can a simple action become a revolution?

A young mail-order-bride from France recently loses her American husband to a incurable illness. Finally rid of the man she felt nothing for she starts to enjoy her new found freedom but there is a menacing presence lurking around to make sure she meets the same grisly fate.

“Sweet Spot” is an experimental animated short film that uninhibitedly explores the dialog between the work and its authors, Jorge Ribeiro and Paulo Patrício, whose points of view and creative approaches, both in terms of cinematographic language and ways of being, are quite different. Through this duality, and starting from a shared but at the same time individual process, the directors seek to understand at what point the short film they are making together reaches its “sweet spot”. In other words, the ideal point at which the work is considered finished.

The magician crow turns the little boy into a jug. After that a little boy's adventures begin.