Pooh Finds His Voice

This 2009 documentary features directors Bob Rafelson, Peter Bogdanovich, and Henry Jaglom, actor-director Jack Nicholson, and actresses Karen Black and Ellen Burstyn, among others, reminiscing about the making of the groundbreaking films of BBS Productions.

The Name of this Film is Dogme95 is an irreverent documentary exploring the origins of Dogme95, the most influential movement in world cinema for a generation. The film tells how a 'brotherhood' of four Danish directors armed with a radical Manifesto, has inspired, outraged and provoked filmmakers and filmgoers the world over. The rules of Dogme95 take filmmaking back to its brass-tacks - stories must be set in the here and now; the films must be shot on location, with a handheld camera, using natural light, and direct sound; the rules forbid murders and weapons (staples of the much-loved action-movie genre); and, most amusingly, the director must not be credited (that holds also for the director of The Name of this Film is Dogme95...).

Rudolf Schündler, who played the role of Hardy, describes his experiences on Fritz Lang's Das Testament des Dr. Mabuse.

One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.

The story of the aborted 1937 filming of "I, Claudius", starring Charles Laughton, with all of its surviving footage.

With his naïve air, his rangy and reassuring silhouette, James Stewart symbolizes success, someone who everybody wants to look like. Behind his legendary nonchalance, Robert Mitchum is the figure of the bad boy, the kind-hearted hooligan who anyone would like to have for accomplice. What is the legacy left by these two big myths of the Hollywood cinema and in which way they fed the American dream?

TV Documentary about Ingmar Bergman from 1998.

Exploring the edits to receive an R rating from the MPAA.

An appreciation of Dressed to Kill by Keith Gordon

Since he was 18 years old, Blake Eckard has written and directed six feature length films in his hometown of Stanberry, Missouri (population 1186). Aside from a short distribution deal in Canada and a few festival screenings, his movies have largely gone unseen.

Loving documentary about the invisible hand that brings light in the cinema: the projectionist. Momentarily, his booth is at the centre of this film, which primarily looks back on the time when you could still touch film images. "Do pay attention to that man behind the curtain!"

A film about the career and methods of the master silent comedy filmmaker.

A documentary insight behind the scenes of Roberts Altman's Short Cuts.

A look at the history of British B-movies.

A documentary that takes a look at the film and media industry of New Mexico and its impact today.

Writer Tom Davis hosts a Blues Brothers retrospective that tells the whole truth about the legendary band's early days and righteous ways. The Blues Brothers were an unforgettable part of Saturday Night Live's golden era, making their musical debut in bee costumes singing "I'm a King Bee," and becoming an overnight sensation. Switching to hats and shades inspired by John Lee Hooker, they combined classic Chicago Blues with Stax-Volt R&B to create a sound all their own. Their first album, Briefcase Full of Blues, went double-platinum and led quickly to their hit movie and milestone soundtrack album. The rest is history, and it's all here in a music-filled, memory-blasting account of a band that will always be on a mission from God.

Documentary about the situation of Argentine cinema against Hollywood domination and its relationship with the sanction of the Media Law in 2009.

A documentary presenting the behind the scenes of Rob Reiner's classic "Misery", with Reiner himself, Kathy Bates, James Caan, Frances Sternhagen, writer William Goldman, Barry Sonnenfeld (the film's cinematographer) presenting their views on the film years later of its release and the impact "Misery" had in their professional lives.

A documentary on the career of famed French clown and filmmaker Pierre Étaix.

Explores behind the big screen to meet the filmmakers, distributors and exhibitors who bring Australian films to us, the audience. Closures of many independent art-house cinemas like Electric Shadows in Canberra in 2006 have made fair and equitable screening of Australian films increasingly difficult. Exhibitors debate the efficacy of the industry's Code of Conduct and unfair trade practices, while a growing number of Australian films go unreleased.