Kayako Sono

Fukuzo, Kato and Matsuko, Kato's wife, are operating the "Kurenai Sightseeing Service" in Tokyo. Fukuzo and Kato were comrades during the war. One day Fukuzo guides Harumi, an old woman, to the Yasukuni Shrine where the souls of fallen soldiers are enshrined. Finding she has no place to go, Fukuzo carries her to his shack by the sea.

Hanayagi Genshu, who spent a winter in Tochihara Women's Prison due to an injury to the Hanayagi style Iemoto, is allowed to be paroleed. In Asakusa, she reunited with her prison companion, Sayoko Nakano. Genshu, Sayoko, and Setsuko Kanno gather at a yakitori restaurant to reminisce about their prison days. This is the second drama of her prison record that was broadcast in 1984 and caused a sensation.

The desires and pretensions of woman of the Ginza are depicted.

Young Sentaro struggles to avenge the murder of his younger sister Osuga and their father.

First television special.

A comedy directed by Yasuzo Masumura starring Yunosuke Ito.

The comical adventures of two long-distance truck drivers, Momojiro and Kinzo, continue. Momojiro and Eizo help bring home the father of two young children in time to celebrate New Year’s together.

Comedy of an entertainment agent and strip-teasers.

Part 3 of the 'Onna bangaichi' series

A film about the substantial population of Koreans living in Japan, and the love affair between Kayako, a Japanese girl, and Im, a Korean.

First film produced by Nikkatsu Children's Films.

Fukuzo, Kato and Matsuko, Kato's wife, are operating the "Kurenai Sightseeing Service" in Tokyo. Fukuzo and Kato were comrades during the war. One day Fukuzo guides Harumi, an old woman, to the Yasukuni Shrine where the souls of fallen soldiers are enshrined. Finding she has no place to go, Fukuzo carries her to his shack by the sea.

Mr. Lady Cinderella at Dawn

Japanese comedy film.

Pinku from 1971.

Chotaro and Nakanishi, a duo of unemployed advertisers, drifted to Isehama, a port town near Yokohama, but a gang was making its presence felt in the town and the shopkeepers in the shopping arcade were troubled by it. Chotaro poses as a journalist and uses his words of wisdom to suggest that pen is mightier than the sword, so they create a mini-comic magazine and launch a campaign to expel the gang.

This is the Twelfth film in the series. There were seventeen Wolves of the City films between 1968 & 1974, in the main aimed at shock-value & “pinku” soft-core with sex, nudity, violence, gunplay, & a lot of mainly pointless foolishness when the biker gang coopts racist or nazi imagery, inventing a non-existent youth culture void of morality…

Gang leader Nami (cult film legend Meiko Kaji) kills a member of a yakuza group and goes away to prison. Upon her release three years later, she’s a shamed woman confined to living in the shadowy world of sex clubs and street gangs. She returns to the city to live with her uncle, a billiard-hall owner, and after befriending pimp and ne’er-do-well Ryuji (Tsunehiko Watase), she gets a job working at a hostess club in the chic Ginza neighborhood, where the expensive shops and neon lights conceal a dark world of crime and sexual slavery. But when a rival gang attempts to muscle in on the club, Nami becomes enmeshed in a violent struggle that forces her to wield a skilled pool cue to defend her uncle’s business, and eventually a short sword to wreak bloody vengeance upon her enemies.

Part two.

Drama about the difficult relationship between a former wrestler, his wife and their adopted children.

Rivalry between a hoodlum group and a gangster organization.

The tale of real-life Yakuza boss Shimizu Jirocho is told from his earliest beginnings as a gambler on the road as he forms his gang and sets out on the path to fame and fortune. One of the smartest and strongest of all the gang bosses, he went on to survive the end of the samurai era and become a successful businessman. But first, he must survive against all odds in order to build his reputation and develop his strength. Powerful portrayals of the group are led by the great Tsuruta Koji with help from the likes of Matsukata Hiroki.

Rika is released from girls detention school and then winds up at a lounge bar where she finds her other classmates working. This lounge bar is run by Junko Miyazono.

Ghost comedy film.

A cantankerous but loveable high school teacher teaches a night school in a poor neighborhood for adult students on the fringes of Japanese society.

A cynical samurai is left as the sole survivor to fulfill a plot to assassinate the puppet of a villain intent on usurping the shogunate in the 17th century. A Shogunate Elder connives to rule Japan by making his puppet, the Shogun's brother Tsunashige, the next Shogun. The best strategist in Japan, Yamaga, leads a plot to stop the Elder, but his cabal is betrayed and most of the conspirators are captured and tortured.

A comedy about a good-natured train conductor Shinsaku helping his old friend Miwako find her missing brother.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

Tai Kato’s early 20th century set yakuza epic about an ordinary merchant girl (Hiroko Maki) who crosses paths with an assassin (Tetsuya Watari). The encounter sends her to jail as a suspected accomplice. Years later she marries a yakuza boss, whose gang is affiliated with working class people.

1962 Japanese movie

After a friend and business colleague dies, Tora-san visits the man's daughter, then takes her to Tokyo so she can study for a night school exam.

This film follows the daily lives of a group of people barely scraping by in a slum on the outskirts of Tokyo. Yet as desperate as their circumstances are, each of them—the homeless father and son envisioning their dream house; the young woman abused by her uncle; the boy who imagines himself a trolley conductor—finds reasons to carry on.

The 47th NHK Asadora chronicles the conflicts between a woman and her step-daughter in a hot springs town.