Johanna Ewald

Homunkulieschen

Rosen aus dem Süden

Ruhiges Heim mit Küchenbenutzung

"Der Herr auf Bestellung" has the Weimar dream team of Walter Reisch as scriptwriter, Geza von Bolvary as director and most importantly, the incomparable Willi Forst as main actor. This 'musical burlesque' tells about a stylish young gentleman (Willi Forst) who works as a so-called 'Festredner'; an untranslatable term, it indicates a person who makes speeches at important events like marriages etc. for people who don't feel able to do it themselves. Willi lends his voice to a speech-impaired professor (Paul Hörbiger), but the baroness (Trude Lieske) who falls in love with Hörbiger only does so because of Willi's voice, and you can guess that this leads to all sorts of complications…

The lively Anny meets the nice Dr. Jack Braun and throws everything in his life into disarray. As Jack is in the middle of divorce proceedings against his wife Renate, his lawyer and best friend Richard doesn't like the idea of a female being in his vicinity. Then Jack's heiress Frieda comes to visit, and when she finds Anny in Jack's house, she mistakes her for his wife - and finds her extremely charming. When the aunt's parrot dies, the relatives believe that the aunt has died and rush to claim the inheritance. Anny emerges victorious from all this.

Pump und Langenbein oder der lebendige Tote

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.

His Only Patient

Blonde goddess Marika Rökk plays Julia Koster, a ravishing red-headed musical revue star and her opening number, "At Night It Isn't Right To Be Alone", playing to a packed theater, is both an eye-popper and a jaw-dropper.

Die Prinzessin vom Nil

Maud Goodin is the daughter of a millionaire, content with her present life, but she is an interesting conquest for those wants to get on the social ladder.

Vergiß mein nicht

Elisabeth is subject of a girl's boarding school run by the nuns. The village idiot Michele adores her and is particularly drawn to her organ playing. In his madness, he kills the girl's father and tries to lay the blame on the organist.