Atsushi Shinohara

A depressed widower, a bored housewife, and a gay lawyer all intersect in this triptych of love lost.

An omnibus collection of six short films the stories are the result of skull sessions at workshops lead by writer and director Ryosuke Hashiguchi. The film depicts body-length tight fetishists called Zentai. The members of the group convene at a karaoke parlor and celebrate their obsession together.

Suffering from heartbreak and asthma, 23-year-old Toshiyuki pushes the limits of his body to chase the ghost of his recently deceased boyfriend against the black-blue backdrop of Tokyo’s cityscape. -JAPAN CUTS: Festival of New Japanese Film

Based on the novel "Kanojo no Jinsei wa Machigai ja Nai" (literal translation: Her life is not at fault) by Director Hiroki, it is a powerful story of survivors, who are all trying to find their own silver linings in life.

A telephone call informs Ituski that his father has collapsed. He still cares, but father and son have not had the best of relationships. Ayumi is a professional mover and misses having a father. These men are unconnected and unrelated, but their pasts and states bind them through nothing more than a piece of paper.

In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.

Asuka Goda is a 40-year-old pastry chef who runs a sweets store. She works with pastry chef Seiya Hanada, who is younger than her, and Kenichi Gonda, who wants to become a pastry chef. One day, Seiya Hanada confesses to Asuka Goda about his feelings for her. Her situation brings back bad memories to what happened 5 years earlier. At that time, Asuka Goda was in an affair with store owner Junji Awai and also in a relationship with gym trainer Shunsuke Nomura. Asuka Goda decides to go to mysterious "Clinic Love Doc." The clinic lets people know everything about love with a gene test.

The yakuza have their best days behind them and are only a shadow of themselves. The old rituals seem out of date and their tattoos make them outcasts of society. The inexperienced student Ryō stumbles into their ranks by chance, and before he knows it, he becomes entangled in dark machinations. He quickly succumbs to the fascination of omnipotence fantasies and hedonistic decadence and sinks deeper and deeper into a parallel world of prostitution, blackmail and violence. However, there is one thing that Ryō has not considered in his naivety: once yakuza, always yakuza!

Adapted from Kabei Yukako's novel of the same name. After being guided by a mysterious message from the past on a cellphone's answering machine, Umi encounters Mahiro, a delinquent at her school. They gradually come closer, but more messages appearing on the answering machine will unveil past secrets...

Aiko saw her parents murdered by the Yakuza when she was young. She grows up to become a killer to avenge her parents. her quest becomes more complicated when she learns her target is also and orphan and also has a blind daughter.

Ai's mother sends her to live with a cult commune, where she remains for seven years. After the cult is broken up by the police, Ai struggles to fit in with society.

Prodded by a friend request, a feckless forty-something recalls his past relationships from the 90s onward, looking for his vanished hopes and dreams.

A former couple remembers their most intimate days, only to part once again. A bittersweet love story inspired by a Jim Jarmusch masterpiece, set in times of the COVID-19 pandemic.

A neighbor dies when potted flowers fall from a balcony of an apartment complex. A man whose father suffers from dementia begins to question if it really was an accident.

In her search for answers, 17-year-old Haru sets out on a long journey across the country to the town where, in 2011, the devastating tsunami swept away her brother and parents. This road trip takes the young woman, who is still haunted by her loss, from Hiroshima to Tokyo and Fukushima and all the way to Ōtsuchi, where her family home once stood. On the way she encounters other people, other stories, other lives and other losses. Landscapes and faces. The journey ends in the middle of a garden in full bloom among the scarred surroundings of her coastal hometown.. In it stands a telephone box which, even though it is no longer connected, is used to speak to those who cannot be reached any other way.

A teenager girl's accidental death incites a media frenzy and causes her harsh father to turn his rage against those he believes are responsible.

A road movie about Yoko, a frustrated part-time worker who hitchhikes to her hometown of Hirosaki, Aomori, where she has not returned for 24 years, after hearing the news of her father's death.

Nagasaki in 1986. Hisada, who lives with her affectionate parents and her younger brother, although there are many quarrels between couples, is a fifth grader who loves Yuki Saito and Exogini. Hisada decides to go to Boomerang Island to "see the dolphins" with Takemoto, whose house is poor and avoided by his classmates. Drowning in the sea, getting entangled in the Yankees, and having a lot of trouble, but as the friendship between the two deepens as a result of this adventure, a sad incident that presages farewell occurs.

The school’s handball club is about to close down. Can social media bring it back to life? Masao Kiyota is a high school student living in Japan’s southern Kumamoto Prefecture. Lacking passion for anything in life, he spends his days like so many youth on his smartphone along with his childhood friend, Okamoto. One day, they upload a photo taken three years previously when they were both part of their school’s handball team. To their surprise, the post goes a little viral. Encouraged, they add the hashtag: “#Handball Full Power” and are swarmed with “likes” from around the country. Amidst the sudden social media attention, Masao and Okamoto set to resuscitating a nearly defunct men’s handball team.

A compelling human drama about the growing social problems and public responsibilities regarding the welfare and ethical treatment of neglected dogs and cats at animal shelters. The story is told through the eyes of tormented vets who are relentless in their efforts to change the system to serve these animals with dignity.

A monster was created from an incident that took place 100 years ago. He possesses super physical ability and can live forever. He yearns for humans and listens to the radio. He picks up things thrown away by other people. The monster dreams of living as a human. One day, he meets a young woman Tsugaru. He falls in love with her.

After the Rain: Wish in a Pocket, the live-action spin-off web miniseries based on the live-action film of Jun Mayuzuki's After the Rain manga, on Wednesday. The new miniseries focuses on the relationship between the characters Takashi Yoshizawa and Yui Nishida, who are supporting characters in the original story. The series maintains the same cast as the film. Hiroki Kazama is directing the series.

Izumi Sakuragi is a new police sergeant with the Special Investigations Office, which was set up within the Metropolitan Police in November last year. The new investigation team uses DNA analysis and the latest in forensics science to investigate cold cases as well as cases suspected to involve missing persons.

Career woman Shimura Eriko (Mizukawa Asami) works for a large general trading company on equal footing with the men. She is beautiful and highly educated. Her parents have a house in Tokyo’s Setagaya ward. Life seems to be going well for Eriko whose single greatest hang up is the fact that she does not have any female friends. Her secret pleasure is to read a popular journal written by a housewife influencer of the same age on social media. At one point, she happens to meet Maruo Shoko (Yamada Maho), the writer of the diary, who lives nearby. Shoko also has no female friends. The two of them who have this point in common, quickly become close. However, some incident causes their relationship to develop in an unexpected direction.

The Earth has descended into a new ice age of -45 degrees Celsius. At the evacuation center, dozens of people who have fled are living on the edge of their lives. In a world where civilization has collapsed, money and status have no meaning and every blanket and canned food is sought after, values have changed drastically. Humanity is faced with an extreme situation where only those with a strong desire to live will survive. Kimura Shoko, a genius con artist with two previous criminal convictions, is determined to do whatever it takes to survive in this new world. For some reason, the shelter she arrives at values family over everything. As the "mother" of a "masquerade family", she faces harsh days. Behind Shoko's explosive desire to survive is a desire to see her son again.

Ishizawa Hajime works as a sales department chief for a trading company. The younger employees complain about the company, including having to work overtime and a lack of innovative working methods. Ishizawa Hajime looks at them with an intimidating glance and the young employees run away from him. One rookie employee, Mugita Ayumi, begins to work in Hajime Ishizawa’s sales department. Mugita Ayumi tries to adjust to her new work environment, but it isn't for her. The only time she can feel comfortable is eating her lunch box at her desk alone. One day, while she is eating her lunch box alone as usual, Ishizawa Hajime appears in front of her.

Onda Kokoro is an oncologist called Dr Onkoro for short by the people around her and teased that she was born for this path. She got married to Takumi, whom she had known since she was a student, and they had a son. Life was going smoothly for her. But three months ago, her husband fell in an accident and remained unconsciousness even though he underwent emergency surgery. Although Kokoro puts on a brave face at work, she still has not been able to accept reality. One day, she meets Kajiyama Kaoru, a competent gastroenterologist who has transferred to work at the hospital. Kaoru understands the need for oncology as a surgeon and gives emotional support with her sunny personality as a colleague. She becomes a dear friend whom Kokoro feels is sudden a ray of light in her personal and professional life…

Satoru Matsudo moves to Tokyo in hopes of becoming an actor. He has trouble breaking into the industry, but his luck begins to change when he finds an airplane ticket belonging to a talent agency CEO. Time passes, and Satoru makes a name for himself as an actor. He gets a call from America. Hoping it is a Hollywood offer, he instead hears about his estranged older brother.

Mano Reiji, a man who experienced a gruesome incident, is a forensic researcher at the Tokyo Metropolitan Police Department's Investigative Science Research Institute. Under the belief that "appraisal will result in the truth" and with his vast knowledge, Mano approaches cases from a view point that differs from others. On the other hand, Sawaguchi Nonna (Araki Yuko) is a rookie forensic researcher that begins working with the no nonsense Mano. They are forced to work together on a murder case.

Masaharu "Masaji" Tachibana was a brilliant programmer who got burnt out and suddenly stopped showing up to work. He now lives at home with his parents and spends his time sleeping and playing video games. He only ventures out of his room to visit the local convenience store for more energy drinks and snacks, until one day he learns that his parents have decided to build a "2.5 family" house with his sister and her family joining them. Masaji is forced to acclimate and with the change of environment begins to venture out of his room and his own head.

OZU ～小津安二郎が描いた物語～

The hardened veteran detective Rena and bright-eyed rookie Sato take on a menial investigation. The job goes well until a thug named Dobu steals their evidence. Disheartened, they take a job looking into the life of a taxi driver named Odokawa in hopes of redeeming themselves. They wind up in the middle of a missing girl case, with gangsters, aspiring students, and surprises around every corner.