Tales of the Uncanny

A look at the life, work and importance of Czech filmmaker Karel Zeman (1910-89), a genius of world cinema, a wizard of special effects, revealing his sources of inspiration and his revolutionary filming techniques.

Herbarium

What was the role of women in Spanish cinema from the 1930s to the present explained through fragments of different films, both fiction and non-fiction. (Followed by “Manda huevos,” 2016.)

At the beginning of the 1960s, when the French pioneers of cinéma vérité set out to achieve a new realism, and when direct cinema in Québec began to vie for notice, the Baltics wit-nessed the birth of a generation of documentarists who favored a more romantic view of the world around them. This meditative documentary essay – from a Latvian writer and Lithuanian director whose composed touch has long dovetailed with the stylistically diverse works of the Baltic New Wave – pushes adroitly past the limits of the common his-toriographic investigation to create a portrait of less-clearly remembered filmmakers. The result is a consummate poetic treatment of the ontology of documentary creation. Also a cinematic poem about cinema poets.

An audiovisual investigation into the way Spanish cinema has represented its audience throughout history, and a tribute to those who, for over a hundred years, have inhabited the theaters, mutually nurturing their deepest dreams and aspirations.

In 1956, actress and Hollywood star Grace Kelly (1929-82), then at the height of her film career, unexpectedly dropped everything to marry Prince Rainier III of Monaco. Jinx, an American journalist and friend of the future princess, accompanied her on her journey to the wedding and covered the sensational event.

A peculiar, meticulous, vocationally archeological account of the professional life of the actor, Spanish by birth, Argentinean by adoption, Narciso Ibañez Menta (1912-2004), spiritual disciple of Lon Chaney, the new man of a thousand faces, master of horror, star of Argentinean theater, cinema and television for decades.

The legendary British-American actress Olivia de Havilland (1916-2020), who conquered Hollywood in the thirties, challenged the film industry when, in 1943, she took on the all-powerful producer Jack Warner in court, forever changing the ruthless working conditions that restricted the essential rights and freedom of artists.

A cinephile collage, both historical and philosophical, of films on artificial intelligence, cyberspace and virtual reality, from 1981 to 2001: cinema as a way and an instrument to cope with humanity's euphoria, anxiety, fear and obsession with technology.

This remarkable documentary dedicates itself to an extraordinary chapter of the second World War – the psychological warfare of the USA. America’s trusted cartoon darlings from the studios of Warner Bros., Paramount, and the “big animals” of the Disney family were supposed to give courage to the people at the homefront, to educate them, but also to simultaneously entertain them. Out of this mixture grew a genre of its own kind – political cartoons. Insightful Interviews with the animators and producers from back then elucidate in an amusing and astonishing way under which bizarre circumstances these films partially came into existence.

The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.

The Karlovy Vary International Film Festival is one of the world’s oldest and most respected. Film Spa was made to celebrate its belated 50th edition in 2015 in its 69th year – belated because from 1959 to 1993 it was forced to alternate with the festival in Moscow.

In his early days as an actor, Marlon Brando (1924-2004) was a shy young man with theatrical ambitions, like many others; but his charisma and superb acting skills made him truly unique, so that the doors to the starry sky of Hollywood opened for him. However, his peculiar manners, political commitment and complicated love life always overshadowed his artistic success.

Legendary film editor and sound designer Walter Murch talks about his work and philosophy. (Based on over 50 hours of Murch's lectures, interviews, and commentaries.)

The story of French filmmaker Jean Rollin (1938-2010), one of the most singular voices of European cult cinema, deeply misunderstood and widely misrepresented.

Probably filmed in 1895, a group of people stand along the platform of a railway station in La Ciotat, waiting for a train. The train pulls up and attendants help passengers off and on. This was not in the Lumière's official catalog, and was likely screened in early 1896. This film is often misidentified on Youtube as "L'Arrivée d’un train à La Ciotat", which is the title of the 1897 remake.

Legendary Spanish actor and director Jacinto Molina, also known as Paul Naschy, tells the mythical story of Waldemar Daninsky, the cursed werewolf, his most iconic character; a relationship that began in 1968.

Spain, 1960. French student Monique Roumette lives in Madrid on a scholarship. Thanks to a friend who works in the production company Uninci, she has the privilege of attending the shooting of Viridiana, a film directed by Luis Buñuel.

A documentary on the life and career of Victor Fleming, director of such iconic movies as The Wizard of Oz and Gone with the Wind.

A journey of years through many countries and film festivals; a nostalgic, adrenaline-fueled and rock-spirited immersion into the universe of cinephilia, in search of genre specialists, fans and filmmakers who speak of their shared passion for fantastic cinema; a whole international spiritual community united under the cathartic shadow of horror.