Ayabuki Mao

Takarazuka Revue's 2002 production of the Viennese musical Elisabeth. It portrays the life and death of Empress Elisabeth of Austria, wife of Emperor Franz Joseph I. This was the 4th production of Elisabeth for Takarazuka Revue and first for the Flower Troupe.

Takarazuka Revue’s 2007 production of the Viennese musical Elisabeth. The musical tells the story of Elisabeth (“Sisi”), the Empress of Austria, from her engagement and marriage in 1854 to her murder in 1898 at the hands of the Italian anarchist Luigi Lucheni, through the lens of her growing obsession with death, as her marriage and her empire crumble around her at the turn of the century.

There is a certain hotel which caters to people who have lost their way. People trying to get their lives back on track, or simply trying to find out where they went wrong. One of the people staying at this hotel is Wolf, who playfully follows the self-absorbed young Anna around the hotel. No one knows what he did before he came there, though he used to joke that he was an assassin. Anna is a one-hit movie actress who now spends all of her time cultivating "patrons" to support her.

A modern, fast paced Takarazuka Revue in keeping with the spirit of the Paris Revue, yet looking forward to the 21st century.

The end of the 18th century. In California, in the "New World" of America, people suffer beneath Spanish despotism and hope their saviour will come. His face hidden by a black mask, his form disguised with a black cape, the legendary knight appears to punish evildoers as both Zorro and Lady Zorro. The deeds and loves of Zorro and Lady Zorro are portrayed in this swashbuckling play full of unrivaled delights.

The musical begins mid-way through the trial of Dmitri Karamazov (Mizu Natsuki) for the murder of his father Fyodor (Mirai Yuuki). Dmitri maintains his innocence, and we are then taken back in time to see how things reached the point they are at now.

In 20th century Paris, a farewell reception is being held after the a millionaire who had founded many enterprises. His will says that his eldest son George will succeed the count with the stipulation that he marry a woman of either blue blood or high society within half a year but Georges dreams of marrying and loving forever a woman destined to cross his path. He feels oppressed by the idea of getting married merely to fulfill his father's will. His friend tells George to go easy, advising him that marriage is one thing and love another. He then leads George to a revue theater he knows well. George, who gets drunk at the theater, remembers his father's advice in the will: Go to church when in distress. He heads for a church. However, on the way to the church, he falls down. At the moment he thinks in fading consciousness that he is freezing to death, he sees an angel.

In the realm of the dead, Luigi Lucheni is on trial for the assassination of Empress Elisabeth. The disembodied voice of the judge rings out, demanding to know why Lucheni killed her. Lucheni responds, in his own defense, that he was doing her a favor as Elisabeth and Death were lovers. He calls upon the ghosts of Elisabeth's family and friends to corroborate this statement. Death appears in their midst, a pale, androgynous, eternally youthful man who admits that he was in love with Elisabeth. (1996, Snow)

An original, semi-modernized musical adaptation of Shakespeare's classic romance.

2006 Takarazuka Revue Flower Troupe production of Maury Yeston and Arthur Kopit's "Phantom."