Steven Geray

Ungvár, Austria-Hungary, now Uzhgorod, Ukraine

Biography

From Wikipedia, the free encyclopedia Steven Geray, born Istvan Gyergyay (10 November 1904 – 26 December 1973) was a film actor who appeared in over 100 films and dozens of television programs. Geray appeared in Spellbound (1945), Gilda (1946), In a Lonely Place (1950), All About Eve (1950), Call Me Madam (1953) and To Catch a Thief (1955). He was born in Ungvár, Austria-Hungary (now Uzhgorod, Ukraine) and educated at the University of Budapest. He made his first stage appearance at the Hungarian National Theater under his real name and after nearly four years he made his London stage debut (as Steven Geray) in 1934, appearing in Happy Week-End!. He began appearing in English-speaking films in 1935 and moved to Hollywood in 1941. He appeared alongside his wife, Magda Kun, in the 1935 film Dance Band. Geray was cast as the lead in a low-budget film noir So Dark the Night (1946). Even with its limited budget, it received great critical reviews and enabled its director Joseph H. Lewis to later direct A-pictures. Geray continued to work on television and in films into the 1960s. Among them a guest appearance on Perry Mason in 1962 as extortionist and murder victim Franz Moray in "The Case of the Stand-in Sister," three episodes of The George Burns and Gracie Allen Show as French dress designer Gaston Broussard in 1956, including the over the top "A Paris Creation" and various doctor roles on The Danny Thomas Show. Geray spent some time in the late-1960s in Estes Park, Colorado, where he directed local theater (The Fantasticks). He owned and ran a bar in Estes Park from 1969 to 1970.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955