Angie Dickinson

Kulm, North Dakota, USA

Biography

Angeline Dickinson (née Brown; born September 30, 1931) is an American actress. She began her career on television, appearing in many anthology series during the 1950s, before landing her breakthrough role in Gun the Man Down (1956) with James Arness and the Western film Rio Bravo (1959), for which she received the Golden Globe Award for New Star of the Year. In her six decade career, Dickinson has appeared in more than 50 films, including China Gate (1957), Ocean's 11 (1960), The Sins of Rachel Cade (1961), Jessica (1962), Captain Newman, M.D. (1963), The Killers (1964), The Art of Love (1965), The Chase (1966), Point Blank (1967), Pretty Maids All in a Row (1971), The Outside Man (1972) and Big Bad Mama (1974). From 1974 to 1978, Dickinson starred as Sergeant Suzanne "Pepper" Anderson in the NBC crime series Police Woman, for which she received the Golden Globe Award for Best Actress – Television Series Drama and three Primetime Emmy Award for Outstanding Lead Actress in a Drama Series nominations. As lead actress, she starred in Brian De Palma's erotic crime thriller Dressed to Kill (1980), for which she received a Saturn Award for Best Actress. During her later career, Dickinson starred in several television movies and miniseries, also playing supporting roles in films such as Even Cowgirls Get the Blues (1994), Sabrina (1995), Pay It Forward (2000) and Big Bad Love (2001). Description above from the Wikipedia article  Angie Dickinson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955