Jack Nicholson

Manhattan, New York, USA

Biography

John Joseph "Jack" Nicholson (born April 22, 1937) is a retired American actor, film director, producer and writer. He is renowned for his often dark-themed portrayals of neurotic characters. Nicholson has been nominated for Academy Awards 12 times, winning Best Actor for One Flew Over the Cuckoo's Nest and for As Good as It Gets, and Best Supporting Actor for Terms of Endearment. He is tied with Walter Brennan for most acting wins by a male actor (three), and second to Katharine Hepburn for most acting wins overall (four). He is also one of only two actors nominated for an Academy Award for acting (either lead or supporting) in every decade from the 1960s to 2000s (the other one being Michael Caine). He has won seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. In 1994, he became one of the youngest actors to be awarded the American Film Institute's Life Achievement Award. Notable films in which he has starred include, Easy Rider, Chinatown, The Shining, Reds, Batman, A Few Good Men, About Schmidt, Something's Gotta Give, and The Departed.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955