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A familiar-looking group of teenagers find themselves being stalked by a more-than-vaguely recognizable masked killer! As the victims begin to pile up and the laughs pile on, none of your favorite scary movies escape the razor-sharp satire of this outrageously funny parody!

A group of students visit a mansion called "Hell House," and murderous high jinks ensue.

News anchorwoman Cindy Campbell has to investigate mysterious crop circles and killing video tapes, and help the President stop an alien invasion in the process.

Cindy finds out the house she lives in is haunted by a little boy and goes on a quest to find out who killed him and why. Also, Alien "Tr-iPods" are invading the world and she has to uncover the secret in order to stop them.

Home with their newly-formed family, happy parents Dan and Jody are haunted by sinister, paranormal activities. Determined to expel the insidious force, they install security cameras and discover their family is being stalked by an evil dead demon.

Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.

Christine has a weird dream, from which she may never wake up.

A "beneath the surface" look at the story of the band Snah Morfar, how it came to be, and how it all fell apart before it even began. Through one-on-one interviews with each member of the band, and statements made by people from the same circle, this is the real story of Snah Morfar.

Presented as if it were an archive from the beginning of the 20th century, like a Pathé newsreel, this film tells the story of the life of Etienne-Jules Marey, the 19th century pioneer of photography and cinema, famous for studying animal and human locomotion.

Emperor Wang (the Perverted) is leader of the planet Porno and sends his mighty "Sex Ray" towards Earth, turning everyone into sex-mad fiends. Only one man can save the Earth, football player Flesh Gordon. Along with his girlfriend Dale Ardor and Professor Flexi-Jerkoff, they set off towards the source of the Sex Ray, unaware of the perils that face them!

Space-faring hero and galactically-renowned stud Flesh Gordon is kidnapped by a group of space cheerleaders hoping to use him to save their planet. A being simply known as Evil Presence has been rendering the men of their world impotent, and the women are desperate for some form of relief. Flesh's girlfriend Ardor, meanwhile, is following behind to try to keep him out of trouble, but soon finds herself kidnapped by Evil Presence's henchman who has plans of his own. Can Flesh get the men of this planet standing tall once again?

The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.

An undertaker gets married to an old executioner's daughter and, although he doesn't like it, must continue the profession of his father-in-law after his retirement.

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Since William Christie founded Les Arts Florissants in 1979, they have strengthened year after year their reputation as one of the world’s premiere ensembles for early and Baroque music. For this 40th anniversary concert from 2019 at the stunning Philharmonie de Paris, core artists from “Les Arts Flo” reunite to perform some of the ensemble’s trademark pieces, from Lully’s Atys—a long-forgotten masterpiece they revived in 1987 over 230 years after its last performance—to the great operas of Rameau and gems by the likes of Charpentier, Purcell, and Handel. This celebratory concert features another first for the storied ensemble, as Christie shares conducting duties with Paul Agnew! Riveting from beginning to end, this Baroque Odyssey encapsulates all the qualities—world-class instrumentalists, impeccable Baroque vocalists, cannily chosen repertoire—that have made Les Arts Florissants such a beloved and enduring fixture in the classical world.

This is the story of the 1920s, shortly after mankind woke up from the nightmare of World War I, a time haunted by death like never before in history. Late at night, a car is speeding along a mountain road in northern Italy. In the car is the family of the Duke of Lamberti. They were returning from celebrating the engagement of their only daughter, Grazia, in Venice. However, tragedy strikes the car carrying the family. The car spins out of control and Grazia is thrown into the darkness of the night...

In this horror parody, a masked serial killer menaces the town of Bulimia Falls with various sharp objects. Attention-seeking television personality Hagitha Utslay is soon on the scene, reporting on the ever-growing body count. Former mall security guard Doughy shows up to protect the teenage population, but he's clearly not much help, allowing the murderer to pick off even more hapless kids as numerous scary movies are referenced.

When North Korean ruler Kim Jong-il orchestrates a global terrorist plot, it's up to the heavily armed, highly specialized Team America unit to stop his dastardly scheme. The group, which has recruited troubled Broadway actor Gary Johnston, not only has to face off against Jong-il, but they must also contend with the Film Actors Guild, a cadre of Hollywood liberals at odds with Team America's 'policing the world' tactics.