Blackbear

A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.

For an anxious person, being trapped on a boat with someone you don't like can be the tense. Stuck for hours afloat, nothing on the line, bad conversation, and cold winds as resentment rises. Both people chained to a rod and tackle because one won't speak up and admit that they want to go home.

A psychadelic mental breakdown occurs. The lights are bright, the colours vivid, the images blurred, the mind absent.

Haunted by flooding memories of their parents' verbal abuse, an insecure person decides to stop reflecting and start living the life they never knew they could have.

An Editor recounts the diaries of a failed film production as they attempt to construct a new narrative from the remaining footage.

Zach, a 16-year-old, endures his internal emotional struggles on one saturday.

A bodybuilding fever dream fueled by childhood trauma, food porn and acid techno music.

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

Welcome Home.

the emotional rollercoaster journey of a wood cutter when nature is paying back.

Created by Antonio Rezza using an auto-timer and edited in the video camera, it describes selfishness and one-sided relationships. The only person who listens to everyone else’s problems ends up sopressing himself before the eyes of his confidantes/ executioners.

An orphaned raccoon happens to have a unique talent.

An experimental film about having your great times from high school taken away by a pandemic, resulting in isolation and desperation.

A man killing himself because he’s unpopular. Analisys of the suicide of a man who had never been born or seen.

Costante dies and leaves his wife Torella his computer discovery. Torella entrusts the disk to her husband’s friend Gervasio, a lazy man scorned by his family. Twenty years later, Torella tries to get back the disk but Gervasio, who has become rich thanks to the discovery, agrees to go to court over it and comes away the winner. He therefore summons divine misfortune: he loses his third son, suffocated by wealth; kills his wife in a blind rage; and is executed by his first-born son who, after a violent panic attack and reckoning with his conscience, chooses life.

A man is sick and he doesn’t show himself. Three people don’t go to visit him and they show themselves.

In the land of the slides, three handicapped plot against people with two legs.

How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.

An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.

Robert Estragon has worked his way to the top of the food chain as a doctor in the city, but it has driven him to self-imposed delusion. Here, we listen as he sits and projects himself onto the mad world he observes. It all comes to a head when Willie Krapp, a young colleague, invades this world, hoping to teach Robert that it was wrong to let his own daughter die in the operating room.