Achromatic

A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.

No End was inspired by a poem I wrote over the course of six months. During this process, abstract images surfaced, subsided, and settled: eventually forming the foundation of a film. The result is a lyrical journey that explores the intersection of interconnectivity and the lived experience. The film includes an original soundtrack by Graham Stewart of Viosac.

A dreamy lo-fi pseudo-intellectual experimental short contemplating the role of the number 7 historically as a symbol across cultures filtered through the lens of 8th graders

A microscopic view into American youth in suburbia through the eyes of Robert, a young man who becomes fixated on his own identity after moving back to his small Texas town.

An introverted girl struggles to form connections through a strange social media site.

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

Ophelia

A person spends most of their life mourning the things they have lost, unable to move on. They frequent a silent but helpful medium and embark on a spiritual journey where they linger among their past lives.

An adaptation of a children's poem called Chanson des escargots qui vont à l'enterrement by Jacques Prévert, starring Joseph Gordon-Levitt. Filmed in Paris, France and Los Angeles, California.

Questions how we as individuals are psychologically relying on our inhabit spaces and how we as society are influencing and being influenced by our surroundings.

In a dreamlike journey through the memories that formed him, Sergio's past comes to life before his eyes. With his grandparents' house in ruins as a vehicle of memory, he will question his first 10 years of life and why he considers them his Prelude, the foretaste of what his life and work would become. Among ghosts, he will have to make peace with his memory, his reflection and his name to find the color among the ashes and stop fearing the future.

Home Alone

Kids

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Two kids' friendship is tested in a game of cards as a mysterious figure watches them from outside.

A visual and auditory inferno

A young man becomes inundated by strange visions and a local homeless man while he and his acquaintances deal with the aftermath of a major disappearance in their city.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

Nommer

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.