Film director Branko Belan follows the journey of fishermen as they set out to catch tuna around the Velebit Channel.
L’Omerta, scandale de la pêche industrielle
Rick Rosenthal goes on a quest that plumbs the secrets of the legendary bluefin tuna. This fish can weigh up to 1,500 pounds and can move up to 50 miles per hour. Here he catches a bluefin tuna on camera.
The world’s biggest fish market is to make room for a highway during the Olympic Games 2020 in Tokyo. After more than 80 years in daily business, the relocation of over 14,000 dealers is a turning point. Especially for old-established dealers this step is not easy. Within four days, all dealers, souvenir and shoe shops, restaurants and service providers such as knife sharpeners are to be relocated to the new location on an artificial island. The closure of Tsukiji is a step towards modern digital real-time trading and we are the only foreign reporter with exclusive access to accompany this adventurous relocation.
A clash of true oceanic titans sees fights in the remote battlefields of Ascension Island. Tuna are often faster, fitter and bigger than the sharks.
Tuna are among the top predators in the oceans. But the hunter is also the hunted: many species are overfished. Can we use the riches of the oceans without destroying them?
The underwater cinematographer, Rick Rosenthal follows the threatened Bluefin Tuna in their search for a safe refuge along the Atlantic.
With Pete Smith providing dry off-screen commentary, we watch some serious fishing: a marlin caught near Catalina, a hammerhead shark caught then wrestled in a small rowboat near Baja, the largest (721 pounds) great white shark caught to date in California waters, Chinook Indians catching salmon at Celilo Falls in Oregon - each with his designated place on the river where his ancestors stood, and, last, a crew on a boat off Mexico hoisting and hurling tuna using unbarbed hooks (baited only with a feather) as fast as they can as long as the school is there - backbreaking work - but a $25,000 catch.
Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film.
From the book by the same name by Ninni Ravazza, "Diario di Tonnara" tells the story of the towns, villages, communities and adventures that dictate the daily lives of the tuna fishermen in Italy.
The director explains his love for tuna meat which was in his family for generations.
After the end of WWII, a young Lithuanian woman and a young Italian man from Stromboli impulsively marry, but married life on the island is more demanding than she can accept.
After an unusual meteor shower leaves most of the human population blind, a merchant navy officer must find a way to conquer tall, aggressive plants which are feeding on people and animals.
In a karaoke bar in post-apocalyptic Los Angeles, an expired can of tuna fish and a fake Louis Vuitton purse encourage each other to believe in their artistic voices even if the world sees them as trash.
A Portuguese tuna fisherman catches his bride with his first mate.
While on leave in New York, a serviceman both weds a chorus girl and wins a red convertible in a charity raffle. Both his wife and the car turn out to be problematic.
“Forgetting is complicit in recidivism,” says the commentary of this film dedicated to the demonstration of October 17, 1961 in Paris and the savage repression that followed. 11,538 Algerians will be arrested, which is reminiscent of the great Vel d’hiv roundup of July 16 and 17, 1942 where 12,884 Jews were arrested. The film brings together eyewitnesses including a priest, a peacekeeper, a couple of workers sympathetic to the Algerian cause, a lawyer, Paris municipal councilors including Claude Bourdet (then one of the leaders of the PSU and journalist to France Observateur), Gérard Monatte, the future police union leader, and the editor and writer François Maspero.
The Poem of the River
“Carioca,” Chico Buarque’s first DVD of original songs since As Cidades (1998), features musical direction and arrangements by Luiz Cláudio Ramos and production by Vinícius França. The repertoire includes the choro-canção Subúrbio and Sempre, a track composed for the film O Maior Amor do Mundo, among others. In this work, the artist speaks about his city with the youthful spirit reminiscent of the age when he first earned his famous nickname. Voltei a Cantar / Mambembe / Dura na Queda / O Futebol / Morena na Angola / Renata Maria / Outros Sonhos / Imagina / Porque Era Ela, Porque Era Eu / Sempre / Mil Perdões / A História de Lily Braun / A Bela e a Fera / Ela É Dançarina / As Atrizes / Ela Faz Cinema / Eu Te Amo / Palavra de Mulher / Leve / Bolero Blues / As Vitrines / Subúrbio / Morro dos Irmãos / Futuros Amantes / Bye Bye Brasil / Cantando no Toró / Grande Hotel / Ode aos Ratos / Na Carreira / Deixe a Menina / Sem Compromisso / Quem Te Viu, Quem Te Vê / João e Maria
As a film about fertility, Water Children is an ode to womanhood and the body Filmmaker Aliona van der Horst followed the trail of the unconventional Dutch-Japanese pianist and artist Tomoko Mukaiyama who made a huge work of art on the theme of womanhood and fertility. She created a cathedral-like space out of twelve thousand white silk dresses in which visitors, as in a ritual, roamed around and fell silent. And where people confessed intimate details about children who were or were not born, about sexuality and life-choices. This resulted in a majestic epic about motherhood, miscarriages and menopause. In a visual and poetic way, the film penetrates into what is probably still one of the greatest of taboos, menstruation, and, as a consequence, touches upon universal themes around life and death.