Time Trip Time

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

Needles are used to repair the damage. Stay is a 5-minute animated film made using hand embroidery on tracing paper, depicting the relationship between a daughter and her absent father. Don’t forget to spend more time with the people you love even though you are busy.

A child is attacked and turned into a chimera and must learn to navigate his strange world as an entirely new kind of being.

Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.

An experimental animation about sea space aliens having a good mofo time. Hand drawn in a frame by frame relay process between two animators.

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

From the void of space, a cube structure comes to life in this experimental visual music film.

Threnody emphasises some of the madness and instability of a year filled with fires, infections and general disarray.

arc of the natural world’s evolution from the primeval environment to the Anthropocene and back again premiered in program Death is Green at the Whitney Museum of American Art part of Dreamlands: Immersive Cinema and Art 1905-2016 organized by Chrissie Iles

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

A load of Halloween monsters freak each other out in a strobing cacophany.

Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.

In this 90-minute epic (comprised of community sourced experimental animation from the Hellavision Television Network) - the story follows Clover, a carefree spirit who joins a party go on an adventure as they try to pull themselves from financial despair by fulfilling the Bug King’s Debt Quest.

A family pod of three dolphins navigates decay as an inevitable register while also having a secret ascension to a higher ground.

Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.

The leaders, the wise men, the leopard, the deer, the owl and the rat all look up in the sky in fear as a strange object flies through the sky.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

A group of partygoers consider what awaits them after death.