Kimono

Jack O’ Lantern folktale about the origin of the Will-o’-the-Wisp retold through a haunted doll’s mind’s eye.

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

After a flat tire leaves her stranded in the woods, a woman revisits haunting memories of her self-destructive tendencies on the finger nails. As she peels the skin from her fingers, each strip draws her deeper into the past. With every layer, she steps closer to the hidden child within herself.

A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.

A group of partygoers consider what awaits them after death.

A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.

In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.

Emerging from the sea onto land an axolotl swims through complex terrain parallel to a man searching for an encounter with God.

"You gave me your mud and I turned it into gold". The Flowers of Evil, Charles Baudelaire

A lost traveler encounters a talking clown puppet that won’t stop looking at a mysterious orange light.

(D)Infinity is a Sci-Fi animation exhibiting chaos and beauty in outer space. Using only graphite and paper the film renders the artist’s own interpretations of dimensional infinity. The universe consists from harmony and balance of the four fundamental forces of nature : Strong force, weak force, gravity, electro-magnetism. If the one of the forces is not in perfect figure relative to other three forces, the universe will collapse. The film (D)Infinity is a visual theory of the phenomenon when mankind’s technological advancement impact the nature of the four fundamental forces, which then lead to the destruction and new beginning of the universe.

In a world of her own, a young sound engineer spends all her time recording the sounds of the city. That is, until she encounters a man and succeeds in picking up the frequencies of his inner melody.

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

A beautiful place, the same old place. Shapes of blues and greens flow with grace, a feast of rêverie for the eye. Wind, water, sun, light, the world dances with the mind. Peace and melancholy sing as everything flows and goes. Choking on comfort, locked in this world, one can simply waltz with their thoughts. In this ballad of wonders, there's only one way in and no way out. Fragmenting reality, the hues twirl along with the music. This could go on forever. This is the mind's favorite game. No resisting. Now diving into escapism.

Searching for life in daily rituals, Losing Touch undertakes a shift in perception and presents the city as an ugly yet ecologically rich landscape. The film depicts the internal dialogue on coping with the grief and fear of ecological degradation, using the local streets of Berlin as a means to materialise and confront these emotions. As both the body and mind begin to wander, encounters with the landscape over a 24 hour period are transformed into an overstimulating and emotionally charged journey. Camcorder footage, film developed in beer and cyanotype create sensational and playful depictions of the surroundings, joining the rats scurrying on the ground and fleeing the night lights with the moths. Creatures of metal and flesh interact within and between the frames, coming together as an ugly yet vibrant community. Subverting the nature-culture dichotomy, a new image of nature is formed, not only as a romantic, distant place, but rather a dirty, omnipresent force.

Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.

The leaders, the wise men, the leopard, the deer, the owl and the rat all look up in the sky in fear as a strange object flies through the sky.

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)