Zoopsie

Black-and-white abstract animated short of light, shadows, and reflections by The Dodals (Karel Dodal (1900-1986) in collaboration with his wife, Irena Dodalová).

Scroll paintings prepared like film strips with successive images.

An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which is a film projector with optical sound. He affixed his blood onto clear film leader by cutting into the flesh and then pressing the film leader onto the wound. Additionally he had blood taken with a syringe and afterwards dripped it on the film leader. fresh and clotted blood was used.

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

Upset with where his life has gone, Torgo seeks to make some changes

A woman carries a cat in a shopping bag that refuses to be petted. Tired of its behaviour, she violently strikes the bag repeatedly against a wall. Then, with the blood of the animal, she draws a heart pierced by an arrow.

A man's car somehow becomes completely autonomous and takes the powerless driver, to a scrap yard, or a 'cemetery for cars', where several more vehicles are waiting to be crushed by powerful reducing machines, their passengers still inside.

A man is horribly tortured by another who wants him to reveal where his girlfriend is hiding.

The strange transformation of a surveillance camera.

An interactive flash animation from Dutch digital artist Han Hoogerbrugge.

Abstract animation by Satoh Yoshinao

In Wiertz and Verbeek's kinetic, kaleidoscopic opus Keep on Turning (1974, 3 min, 16mm, sound) cubes convey, rotate and shift in tandem.

A trip towards abstraction, as an hypothesis on how mountains might have been formed.

After Billy finds a winning scratch ticket, the gas station gets a new lottery machine that becomes the talk of the town. Part of [adult swim] smalls and second Gassy's Gas n Stuff short

Borrowing its title from a treatise by Aristotle, the latest film by Makino Takashi is an abstract work that finds its drive in the clash between light and darkness. Entirely composed of superimposed images of Tokyo’s landscape and water sites, the film takes its rhythm from the cycles of repetition that are the pillars of life and civilisation. As light emerges from the chaos, Jim O’Rourke’s ambient drone sets the tone for what is to come.

An abstract animation with a motif of a dragonfly, and a complex multi-exposure landscape of a field and a woman's naked body overlap.

This animation can be watched in 2D or using Chromadepth Glasses in 3D.

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

A deep dive into a snowstorm of structural chaos and a blizzard of exploding gestural animation.