Disturbing shock footage mixtape
Tourist Paris by day, then by night, with its cabarets and stripteases: the academic poses of Montparnasse, Maria Toxedo the naked dancer, forbidden love, the can-can for two, the naked models, Loulou Santiago, the hippies and love, the slave of desire, magazines prohibited for minors, monokini pose session.
Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community.
Taking a detour from the usual settings of Africa and South America, this mondo film focuses on Japan and Sweden, exploring strange and unusual scenes like the effects of pollution in a Japanese fishing village, esoteric psychotherapy methods, assisted fertilization, heatt surgery, sex education for blind children in sweden, military training for young Palestinians in Lebanon, a female priest celebrating mass and a school for children with phocomelia.
With graphic re-enactments of industrial accidents, the More High Impact Forklift Safety Video gives viewers a scared-straight lesson on the importance of forklift safety. This forklift video is great for training your forklift operators on accident awareness and prevention.
Short film made by Elio Belletti.
Video mixtape composed of shock footage.
The life and thoughts of Juan Manuel Espada, keeper in charge of the morgue sited at the Medicine University of Valencia.
By combining actual footage with reenactments, this film offers both a documentary and fictional account of the life of Adolf Hitler, from his childhood in Vienna, through the rise of the Third Reich, to his final act of suicide in the waning days of WWII. The film also provides considerable, and often shocking, detail of the atrocities enacted by the Nazi regime under Hitler's command.
The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.
This documentary looks at strange behaviors and practices in Europe, including nude skiing in Switzerland, hot-butchering in Italy, and an orgy in a graveyard.
Rare mondo film focusing on the seamier side of Paris. Crazy fashions, transgender hookers, coke snorting New Wavers, female body builders, nude beaches, leather bars, a wealthy playboy’s private torture dungeon and some X-rated dildo insertion to liven things up.
Using hidden cameras and never-before-seen footage, Earthlings chronicles the day-to-day practices of the largest industries in the world, all of which rely entirely on animals for profit.
A collection of death scenes, ranging from TV material to homemade super 8 movies.
It is a documentary, which submits to the public the most dramatic, subhuman situations in which men find themselves living in all corners of the world. From India to Brazil, from the African nations of the Sahel to Bolivia, the camera ruthlessly shows the images of a humanity marginalized in a thousand ways by the so-called"civil consortium".
A sexy mondo movie narrated by Nico Rienzi. Starring transsexual superstar Bambi.
Completely topless. Completely uninhibited. The craze that began in San Francisco is now exploding across the USA and Europe.
This film continues along the same lines as F.O.D. 1 with short scenes of material related to death. Mortuaries, accidents, police work are filmed by television equipment and domestic video cameras.
If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.
Mondo documentary.