The Wedding at Cana

Shot over the course of 30 days at sea, filmmaker Alizé Jireh documents the group’s voyage across the North Atlantic—from moments of stillness and calm to the chaos of storms and setbacks. With an observational approach and an eye for the emotional and physical rhythms of life at sea, Jireh captures not just the external landscape, but the internal shifts that come with navigating the vast unknown.

Backstage Bardo is a short documentary film that takes viewers on a unique journey into the daily life of morgue workers. The challenges of dealing with death are conveyed through an intimate, up-close perspective that offers insight into a world that is often shrouded in obscurity and misconception.

Four young filmmakers explore the relevance of Sandy Daley’s cult classic “Robert Having His Nipple Pierced.” Featuring Robert Mapplethrope, David Croland and Patti Smith. They discover the sprawling artistic hub of New York City, and explore the hopeful artists that make it up.

All Screwed Up | Visual Tribute is a passion project directed by Isaac "Chill" Yowman and produced by IYO Visuals in association with DJ Screw’s family to celebrate the life & legacy of a legend.

Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.

"The Jersey Sound" is a love letter to New Jersey's diverse music scene. It captures its rich history through untold stories and intimate interviews while paying homage to legendary icons who have called Jersey home. It's an attitude.

Samuel Fuller discusses his career as a filmmaker, illustrated by plenty of clips.

The 25-minute long documentary details the entirety of the artistic process from Ralph Ziman’s inspiration for the project and acquisition of the MiG-21, to the international collaboration to create the beadwork and assemble the art piece, leading up to the project’s unveiling at The Museum of Flight. Also covered in the film is background on the MiG-21, including details about the plane used (decommissioned tail number 8971) and how MiGs’ presence in the Angolan Civil War ultimately hastened the end of white rule in South Africa. See historical footage and personal interviews, including the Polish pilot who flew tail number 8971 in the 1980s, a South African Border War pilot and the team of artists and craftspeople in Southern Africa and the United States who took on the huge task of covering the aircraft in tens of millions of glass beads.

Dorothy Johnson was a Western writer ahead of her time. Women saved men, heroes died unwept and unsung, whites lived with Indians and benefited from the experience. Three of her stories were made into films and many critics consider "The Man Who Shot Liberty Valance" to be the cornerstone of the modern western. This documentary looks back on Dorothy's life, and her place in history.

Different faces show us an Iran where tradition and modernity coexist and confront each other. Erfan Shafei invites us to discover a country through its music and its people. Erfan is a funny and ironic young Kurdish man who wants to become a film director. He sings, writes poetry, lives with his parents and his parrot, but knows nothing about love...

High school graduation doesn't come around often. Not only is it a day of celebration, but also a day of tears and apprehension. Milestone No. 1 follows Jack, a senior at the local high school, who is getting ready for his day of graduation, and the various tasks he needs to complete before arriving at the venue.

Brought to life through archival material and the reflections of over 40 colleagues, friends and fans, BLOOD & FLESH is much more than the story of a moviemaking life most unusual. It beautifully captures the worlds of outsider filmmaker communities that existed in California in the ’70s, and the weird ways they intersected with Hollywood mainstream and union indies. On Adamson shoots, regular Orson Welles crew and cinematographers like Gary Graver, Vilmos Szigmond and Lazlo Kovaks worked alongside Bud Cardos — and at one point, Charles Manson! Director David Gregory (founder of Severin Films, director of LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU) spent years making this film, speaking to everyone down to the cops who investigated Adamson’s murder, vividly encapsulating both a bold life and tragic demise, with alien conspiracies, go-go dancers and Colonel Sanders coming in along the way. If you’ve got even a passing interest in cinema, you want to see this

With the help of Steve Bannon and Cambridge Analytica, Trump was groomed to appeal to those who have lost faith in media and politics. Bannon has admitted that he modeled his campaign on the one crafted for Hitler, who was a puppet of dark forces. Through meticulous investigation, John Hankey explores this, and how the media circus following Trump is a strategy for dividing a "United" States.

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

Mexico City was built on a lake, yet today it faces water scarcity. This film allows us to reflect on this contradiction. It also travels back in time to the day when a monolith representing Tlaloc, the aquatic deity, was transported to the center of the city.

A documentary that follows one man who attempts to live on the street, while interviewing the homeless people of Southampton and recounting his own experience.

A short documentary about a local Drogheda barbershop owner, detailing his history, taste in music and the history of the shop all while having a chat with an old colleague and regular customer.

La grotte Chauvet — hors du temps

A documentary about Hugh Jackman's life changing experience traveling to Ethiopia and meeting a coffee farmer who is lifting his family and community out of extreme poverty.

Both a visit to a very peculiar exhibition at the Bundeswehr Military History Museum in Dresden, Germany, as well as an unprejudiced look at the artistic depiction of violence throughout history and the ways in which that depiction has been gendered.