Palabras Imposibles

ELA

A con artist escapes a deal gone wrong in New York and winds up in the Aussie outback in a strange town whose inhabitants are an oddball collection of misfits.

It tells of the events before the film, in which monster hunter Gabriel Van Helsing travels to London to investigate a series of horrific, and decidedly supernatural murders, being committed by the mad scientist Dr. Jekyll, in the form of his evil alter-ego, Mr. Hyde.

The Planet Express crew return from cancellation, only to be robbed blind by hideous "sprunging" scam artists. Things go from bad to worse when the scammers hack Bender, start traveling through time, and take Earth over entirely! Will the crew be able to save the day, or will Bender's larcenous tendencies and their general incompetence doom them all?

Heinz Strunk, plagued by crater-like skin rashes, lives with his sick mother in Hamburg-Harburg in the 1980s. As a saxophonist, he tours the North German lowlands with the dance combo "Tiffanys". In this bizarre universe of Korn, Klaus & Klaus and Koteletts, bandleader Gurki teaches him how to deliver cheerful, upbeat music. To escape the vicious circle of shooting festivals and village weddings, Heinz wants to start a solo career and become a hit producer...

Karajan: Richard Strauss: Tod und Verklarung / Metamorphosen

Gert Steinbäcker – Alles Live

A wry, satirical look celebration of 700 years of Switzerland and Swiss culture.

D'ZRT - O Regresso

Karajan: Richard Strauss: Eine Alpensinfonie / Also Sprach Zarathustra

Debut short animation by Konstantin Bronzit.

Karajan had been appointed music director for life of the Berlin Philharmonic in 1955, and soon the orchestra mastered the entire palette of Karajan's subtly defined phrasings, moods and orchestral colors. At home in the majesty of Bruckner or the raw power of Beethoven, the orchestra was also able to "let go" with Suppé or a Lisztian Hungarian Rhapsody, as the recording illustrates. For the 1978 New Year's Eve concert with the Berlin Philharmonic, Karajan put together a program of exclusively popular classical works, pieces that would guarantee a bubbly good time. Following Verdi's Overture to "La forza del destino" are the two major works of the program, Bizet's Arlésienne Suite No. 2 and Liszt's Hungarian Rhapsody No. 2. The Hungarian March, or "Rákóczy March," from Berlioz's "La damnation de Faust" never fails to rouse listeners with its instrumentation. The program closes with the Intermezzo from Mascagni's "L'amico Fritz" and the popular Overture to "Leichte Kavallerie" by Suppé.

RAYE takes to the stage of London's iconic Royal Albert Hall to perform songs from her Mercury Prize-nominated album My 21st Century Blues.

You will find this Requiem the finest on video. It certainly outshines Bohm's dated approach, and Bernstein's lethargically slow performance. (No disrespect to them, I enjoy them but this is better :) It also gives us a superb opportunity to view Solti at work, and I wonder why don't have more of his performances on video. One may also enjoy seeing (and hearing) Rene Pape at only 27 years old, likewise Cecilia Bartoli in her young prime.

"Lady of the Camellias" (Kameliendame) was premiered in Jan 1978 at the Stuttgart ballet. Choreographer and text writer was John Neumeier who had been requested in 1972 by ballerina Marcia Haydee to write a full length ballet. He suggested "Lady of the Camellias" , the Dumas fils autobiographical novel. The idea of using Chopin music was suggested by ballet conductor Gehart Markson. The ballet was a success and this version was also presented in 1979 at the Kennedy Center in Washington DC. Neumeier revised it for the Hamburg Ballet now directed by Brazilian ballerina Marcia Haydee after the death of famous director John Kranko. The revised version with sets and costumes by Jugen Rose and conducted by Heribert Beissel was recorded as a movie in 1987.

One of Canada's most popular bands brings its own brand of seasonal cheer to a very special installment of the award-winning series "Live at the Rehearsal Hall." The band performs an eclectic collection of traditional carols and infectious originals inspired by Christmas and Hanukkah from their album "Barenaked for the Holidays."

Taped at the Soundstage studio this September, in Chicago, Chris and his long-time band perform some of his childhood favorites such as "Mele Kalikimaka" and "Rudolph the Red-Nosed Reindeer" in addition to classic holiday standards ranging from "White Christmas" to "Chestnuts." Isaak also includes some holiday originals such as "Washington Square" and "Hey Santa." Other songs performed are "Have Yourself a Merry Little Christmas," "Blue Christmas," "Let it Snow" and "I'll Be Home for Christmas" to name a few. Joining Chris on a number of duets will be Michael Buble, Brian McKnight, and Stevie Nicks.

This documentary features never-before-seen live footage, interviews and archive. With exclusive access to the Phillipps family home video archive, the film provides an intimate portrait of the man behind the Chills. Exploring the source of his creativity and his songwriting aesthetic, the film also follows Martin on his journey from scenester musician to international star, then follows him on the downward spiral, interest in the band waned and depression and addiction set in.