The work of painter Joan Miró is more alive than ever 35 years after his death. Grandson Joan Punyet travels the world and paints the picture of his grandfather-seeker, for whom freedom in creation was a necessity. Miró was very attached to his homeland and this is regularly reflected in his often experimental concepts. Fellow artists talk about their collaboration with Miró and rare images show us the artist at work, right up to his last days.
A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.
Henri Matisse's great-granddaughter Sophie traces the story of how the artist fought personal tragedies and critical ridicule to become one of the most important and influential painters of the 20th century.
Hardly anyone knows the artist, but almost everyone knows her paintings: Tamara de Lempicka, icon of the 1920s. Her art deco paintings of women in cars or in evening dress adorn book covers and break auction records. But who was she? The ARTE documentary by Grimme Prize-winning author Sylvie Kürsten ventures a self-portrait of Lempicka, narrated and played by Nicole Heesters.
All The Eyes is the story of the lives of children whose geographical determinism has created obstacles for them to achieve their dreams. Children who live in one of the most deprived areas of Iran: Kotij, a city of 6,000 people in Balochistan.
Pražský Odysseus
Banksy is a graffiti artist with a global reputation whose work can be seen on walls from post-hurricane New Orleans to the separation barrier on the Palestinian West Bank. Fiercely guarding his anonymity to avoid prosecution, Banksy has so far resisted all attempts to be captured on film. Exit Through the Gift Shop tells the incredible true story of how an eccentric French shop keeper turned documentary maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner.
Josef Mánes II.
Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.
This documentary brings alive a remarkable artist’s passionate journey through a turbulent century. Both epic and surprisingly intimate, the film presents a classic American immigrant saga, an inspiring search for artistic independence, and a great romance. Along the way, Biberman's growing commitment to social justice and struggle against McCarthy-era repression (his brother, director Herbert Biberman, went to prison as one of The Hollywood Ten) combine with his efforts to create both a loving family life and a groundbreaking body of work. With its grand scope, rich personalities, and vast array of breathtaking artwork, Brush With Life connects us in a deeply personal way to a brilliant artist who lived by the same high standards he set for his paintings.
Marking the 500th anniversary of Raphael’s death, the greatest exhibition ever held of his works took place in Rome. Exhibition on Screen was granted exclusive access to this once-in-a-lifetime show. With over two hundred masterpieces, including paintings and drawings – over a hundred of which have been brought together for the first time – this major exhibition celebrates the life and work of Raffaello Sanzio da Urbino.
As the only work in this medium by Richter, the film was created for the exhibition Volker Bradke that took place on 13th December 1966 at Galerie Schmela in Düsseldorf. For the purpose of this exhibition, Gerhard Richter addressed the person Volker Bradke in different mediums. In addition to photographs, a banner and a large-scale painting Volker Bradke [CR: 133], the film had been screened. Richter transferred one of the stylistic features of his paintings of that time into film: the blurring.
The colorful world of Otakar Nejedly
A study of the psychology of a champion ski-flyer, whose full-time occupation is carpentry.
"The Man We Want to Hang" is a 12-minute short, consisting of Anger filming borrowed paintings done by legendary and controversial occultist Aleister Crowley.
Elmyr de Hory was called "The Myth of our Century" when he was revealed as a master forger in 1968. Born in 1905, he made an estimated 1000 fake paintings, primarily in the style of the post-impressionists before he died - or disappeared - in 1976. In addition to faking paintings, Elmyr de Hory often faked his own identity, and traveled easily throughout Europe's high society.
An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.
The Kiss by Gustav Klimt is one of the most recognised and reproduced paintings in the world. It is perhaps the most popular poster on student dorm walls from Beijing to Boston. Painted in Vienna around 1908, the evocative image of an unknown embracing couple has captivated viewers with its mystery, sensuality and dazzling materials ever since it was created. But just what lies behind the appeal of the painting – and just who was the artist that created it? Delving into the details of real gold, decorative designs, symbolism and simmering erotica, a close study of the painting takes us to the remarkable turn of the century Vienna when a new world was battling with the old.
The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.
To mark the artist Fernando Botero's 75th birthday, Peter Schamoni made a documentary film about his moving life. Fernando Botero is immediately recognizable by his colourful and exuberant works. Schamoni convinces us that, behind the cliché of the naïve, Fernando Botero is an artist who also devotes himself to serious and profound themes. Schamoni not only accompanies Botero to Tuscany, where he creates his sculptures, and to his Parisian painter's studio. The film also takes us on a journey to Colombia, where Schamoni lets the viewer take part in the world in which the artist lives and works, in the highs and lows of his life.