Three homeless teenagers brave Chicago winters, the pressures of high school, and life alone on the streets to build a brighter future.
The story of Pastor Lucy and her husband Duncan Ndegwa, who began feeding and sheltering children from the streets of Nairobi, Kenya in 1996.
A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.
49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.
Catchy mix of farce and documentary. Portrait of a Berlin theatre company made up entirely of the homeless, alcoholics and junks. They call themselves ‘rats’ and take the film over to have a party.
It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?
Through the eyes of a young drifter who rejects society's rules and intentionally chooses to live on the streets, Chinese filmmaker Nanfu Wang explores the meaning of personal freedom – and its limits.
Just as the original hobos of the early 20th century were scorned the mainstream of society, so too are today's train riders. FREELOAD is a dive into a beggar's existence. It is a ride through America's backyard. It is a musical endeavor that feels like a drama. It is a sociological examination of the ignored.
22-year-old Kei refuses to conform to the Japanese achievement-oriented society. He is homeless by choice, living on the streets and under the bridges of Kyoto. His love for nature and music keeps him afloat in his dream world. However, when he runs out of money, he is forced to face reality.
This documentary follows Pia, who is homeless. She is struggling with her drug addiction. During the day she (and many other homeless people) sells the newspaper Situation Sthlm.
It has been three years since Tom Alandh made the film "Det svåra livet" about homeless drug addict Pia. This film shows what has happened to her since.
Ten years after documentary filmmaker Tom Alandh started filming homeless drug addict Pia Sjögren, he makes his third and final film about her. Pia was 14 years old when she started smoking cannabis and using drugs. Then it all happened really fast. The heavier drugs, the men who beat, and years of cold nights in basements and attics. Treatment and punishment. Rehabs and prisons. Relapse. Constantly back, at the complete bottom, among shame and guilt. For ten years, Tom Alandh and photographer Björn Henriksson documented Pia's life. Two films were made, this is the third and last film, which shows how she managed to get clean against all odds.
In their vehicle, Laurie, Kristy and Linda live alone on the American roads. Like thousands of modern American nomads who can no longer afford to pay for their housing. With no money to spare, these three sixty-year old women are fleeing, in their own way, a part of their history that has left a deep mark on them. Driving away, they try to regain some form of peace. But as the miles and seasons pass, despite their impressive temerity and resilience, their quest for a better future is challenged by unexpected events that hit a country in crisis. Will they nevertheless manage, at the end of the road, to find the serenity they are looking for, in order to become someone again?
Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".
For five years, Stephen McCoy documented street life in Boston. This is what he captured.
Two unhoused men turned community leaders— John and LaMonté —organize their neighbors in the face of displacement, addiction, and a failing social system.
For almost half of his life, Kenneth Viken has been in prison, and he does not know how many times he has been released, only to soon return . In January 2016 he is released again.
The city you experience everyday. Into the mind of a homeless man who shares the lack of help he got while being on the streets.
The Idle Ones is a profile of contemporary affairs - somewhere on the edge of Europe - in a place where unemployment for some young people is fast becoming a way of life. Covering a period of 18 months, the film follows the activities of a group of young men in their 20s who have finished their schooling and stayed in their home village - they loaf about unemployed since they can´t find any work in the remote district. The main characters are more or less idle young fellows whose stories link together and make up the film. Tinged with humour, The Idle Ones is a story about frustrated but vital young people in a period of transition, waiting for something to happen. For some, the waiting is becoming their life.
This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.