Atlas

Filmed during the months of June and August 1984 in the Glen Canyon National Recreation Area, Mesa Verde National Park and the Navajo Nation. This program reveals scenes of the lushness of California's summer accompanied by the music of Windham Hill artists, William Ackerman, Alex de Grassi, Mark Isham, Shadowfax, and Liz Story.

A pack of strays – seven dogs and one woman live in the shadows of Moscow. Hidden from the totalitarian authorities, two species share their existence on the verge of disappearance. They are straying in constant restlessness through a savage landscape where the city is cracking. Shot from the animal’s point of view, patterns of mutual dependence and taming begin to blur.

Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)

A landscape film about isolation, fear, and religion in rural Pennsylvania.

Údolie večných karaván

A young man sits at a local restaurant with his friend: but he isn't paying attention to her as she speaks. This film visualizes his chaotic state of mind and how he uses mindfulness practice to tune back into the conversation. Mindfulness is being able to sit with and observe your thoughts. Being mindful improves focus and mental health. FLES is SELF spelt backwards.

Deemed "too ambient for broadcast" by MTV's AMP, Thaemlitz' first video "Silent Passability (Ride to the Countryside)" contrasts cinematic footage from drag performances in upstate New York with highly processed digital audio from his CD "Couture Cosmetique" (US: Caipirinha/Japan: Daisyworld, 1997). Thaemlitz is known for his fusion of computer synthesis techniques with non-essentialist transgenderism as two methodoligies which appropriate and critically recontextualize cultural signifiers, whether they be audio sources or gender constructs. The audio for "Silent Passability" deals with fears of violence while travelling in 'passable' drag between safe zones, and Thaemlitz' unsettling compulsion to remain silent in such circumstances so as to avoid confrontation. Antithetically beatific images from the transgendered stage question posturing as a means for alieviating and/or concealing such oppressive circumstances.

Through thread and textile, an Asian seamstress tries to escape from the factory.

Punto De No Retorno

A short experimental film shot on Super 8, inspired by the music of Richard Wagner.

The model’s feet are uncomfortably squeezed into the heels, and her movements are slippery on slick silver liquid, before she slowly and ominously destroys the glass pane separating the subject from the viewer.

A frenetic found-footage documentary made entirely from “lost” unlabeled media on YouTube - weaving together nearly a thousand raw videos, each mistakenly or mindlessly uploaded under a generic filename (e.g., IMG 1326, IMG 5493…).

Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.

A documentary about a person who cleans his room with a vacuum cleaner, filled with disasters and mishaps.

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

An experimental documentary that illuminates Black non-binary folks in the American Souf & their connection to the nearly erased history of gender expansiveness within the African diaspora.

Filmmaker and artist Jack Smith described his own film as a “comedy set in a haunted movie studio.” Flaming Creatures begins humorously enough with several men and women, mostly of indeterminate gender, vamping it up in front of the camera and participating in a mock advertisement for an indelible, heart-shaped brand of lipstick. However, things take a dark, nightmarish turn when a transvestite chases, catches and begins molesting a woman. Soon, all of the titular “creatures” participate in a (mostly clothed) orgy that causes a massive earthquake. After the creatures are killed in the resulting chaos, a vampire dressed like an old Hollywood starlet rises from her coffin to resurrect the dead. All ends happily enough when the now undead creatures dance with each other, even though another orgy and earthquake loom over the end title card.

“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.

A young woman goes on a cathartic journey through memory and imagination inspired by the performers at an open mic.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.