Atlas

Documentary filmed on the occasion of the “2003, Odyssey in Space Zero” operation inside the Spazio Zero Theater in Rome. The document, filmed between 21 October and 30 November 2003, recounts the representation of Fotofinish not as a single and continuous work, but as the evolution over time of the moods and movements of the actors who, replica after replica, have developed an awareness of the space and arrived at the joy of staging.

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

Filmed at Masonboro Island, an undeveloped barrier island in southeastern North Carolina, “Tides” contemplates the liminal space between the modern technological world and that more ecological dimension we label as “nature” or “the environment.”

Experimental short film in which 16 video clips are combined.

Experimental video art shot in the Wallingford neighborhood of Seattle

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.

Arktis is a poetic approach to the bizarre landscape of ice, rock, and water; a journey to the arctic ocean and surroundings, with images and sounds. Seventy one-second scenes of the arctic serve as the original material, which is then transformed in its texture, time lapse, color and light qualities to create a material reminiscent of landscape painting. The sound collage uses fragments from sounds of nature and samples from a piece of music for violin and song, which are also transformed in a manner similar to that of the visual pictures. (Jürgen Reble)

Jonas Mekas recites poems of his, both in English and Lithuanian. Exclusive Mekas interview by the poet Sparrow. The legendary poet-film critic and film diarist waxes philosophical in rare extended setting exhibiting his transcendental poetic humor. Jonas attacks the crass world of TV advertising and sell-out commercial filmmakers. Contributes zen anecdotes and filmmaking advice. Choice clips include Mekas' Film Diaries with deceivingly formalist amateur "home movie" style, but in small bursts of expression in a quick collage. Footage from Jonas' homeland as well as clips of famed pop figures John Lennon, Yoko Ono and Tiny Tim.

David’s beach experience within a motion image.

Documentary with fragments and records about the boundaries between art and counterculture, based on a debate held at the Museum of Modern Art, Rio de Janeiro, in October 1968.

Jan receives the group patch at the campfire, Herkules brews up some tea in the workshop and Sidney gets a mohawk haircut done by his father. The film shows fragments from an Oberhausen subculture in which symbols and practices of the outlaw motorbiker scene are transferred to cycling.

An investigation about human intervention in nature, from the subjective point of view of the camera, the environment and its transformation are observed.

Beijing

In a lifeless urban landscape where time itself has stopped its crawl, a mad ballet is commencing and a newly hatched butterfly is about to die.

Every day in Sutton, scientists from The Institute of Cancer Research at The London Cancer Hub try to discover what will defeat cancer. In the summer of 2022, communities in Sutton came together to celebrate their incredible research through the creation of a short community film celebrating this science. The resulting film showcases choreographed dance sequences as creative yet recognisable interpretations of scientific concepts.

Experimental short film by Barbara Sykes