"Don't Scream Now"

An abstract artist promises to deliver twenty five paintings to an art gallery. As he fights for his creative spark and deadlines loom, he feels his world around him crumble away.

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

From Malkuth to Kether and back, the whole spin of the wheel. A retelling of a series of dreams and visions experienced by the director in her Great Quest.

Thomas, 70, looks back on the last evening he and his lost friend Mari spent together. An evening in which they drink wine, dine, listen to piano playing and dance with their girlfriends. As the hours pass before his eyes, Thomas contemplates the lost friendship, the person Mari was and the conversations of that night.

An abstract and detailed observation of a young life told through a series of observational montages. Part of the 'Technicolour' series of films from Lot 108 Productions.

A horse goddess gives birth to three powerful brothers who set out into the Underworld to save three princesses from three evil dragons and reclaim their ancestors' lost kingdom.

Short film about the inability to sleep, or to remain asleep throughout the night.

An experimental visual piece delving into concepts like afterlife and existence in an abstract but accessible way.

mens·beeld (het; o; meervoud: mensbeelden) A "Mensbeeld" is a well-thought-out and coherent representation of what it means to be human. Human images are linked to (historically determined) philosophical, philosophical or religious convictions.

Elsa

A wealthy woman from Manhattan's Upper East Side struggles to deal with her new identity and her sexuality after her husband of 16 years leaves her for a younger woman.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?

Santa Inocencia

The short film tells the story of a frustrated priest when faced with an apparently impartial friend, who was wearing a "social mask"

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

A Experimental Docu-Drama about the Red Army Faction's formation, and events leading up to their imprisonment and death, from 1970 to 1977.

When viewed from far away, life on Earth can seem meaningless. But when a star inhabits a dying girl, they experience the tragic beauty found at the moment when the light goes out.

Born blind, an individual gains sight through surgery. Thus begins a visual encounter — the first of their life.

A creation myth realized in light, patterns, images superimposed, rapid cutting, and silence. A black screen, then streaks of light, then an explosion of color and squiggles and happenstance. Next, images of small circles emerge then of the Sun. Images of our Earth appear, woods, a part of a body, a nude woman perhaps giving birth. Imagery evokes movement across time. Part of the Dog Star Man series of experimental films.

The film tells a story of Mariana, a nurse who leaves Lisbon to accompany an immigrant worker in a comatose sleep on his trip home to Cape Verde. The devoted Portuguese nurse took a journey only to find herself lost in abstract drama.