Interior Life of a Tidepool

An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.

Here begins the land of phantoms.

After a feverish dream, a paralysed woman finds herself trapped within a purgatory of sleep, as their inaction causes time to move. The dreamers' body mutates and deforms as multiple incarnations of herself struggle to awake. Bed & Breakfast is a surrealist horror about inaction and sleep paralysis. Questioning the nature of memory, identity, and the fabric of reality, by plunging you into the psyche of a paralysed dreamer where reality is far repressed.

A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.

In the reality of this film, there is a curse that calls itself Bardensra, a curse that feeds off of spreading across realities. It's attached itself to the apartment in which the protagonist is a new tenant. All's well and good, until the the borders between the different worlds start becoming illusions and the protagonist starts suspecting that in a parallel universe, there's a serial killer who lives in his apartment

SHOWTIME

Confined to an endlessly burning waiting room, a dying sedentary woman experiences herself blurring in and out of her body. In her last remaining fragments she tries to make amends with her spirit before her remaining fragments either decay or create.

Fleshworm Dreams is a trippy, kaleidoscopic visual experience that pairs with an abstract, experimental nature record. Think of it like looking through a constantly shifting kaleidoscope—vibrant colors, strange shapes, and mesmerizing patterns swirling together in a beautiful, almost hypnotic way. It’s a chill, weird, and visually stunning ride, where the lines between nature and imagination blur.

In the middle of the night, you never know who can be a witness of your decisions...

Music live performance of Ryuichi Sakamoto and Alva Noto at the Glass House.

Filmed during the months of June and August 1984 in the Glen Canyon National Recreation Area, Mesa Verde National Park and the Navajo Nation. This program reveals scenes of the lushness of California's summer accompanied by the music of Windham Hill artists, William Ackerman, Alex de Grassi, Mark Isham, Shadowfax, and Liz Story.

Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.

Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)

Sonzai Zone is a speculative fiction film on intimacy and loneliness after the normalization of ambient communication media. An unlikely encounter between Yún and Souvd takes place in a near-future where social interactions are largely based on the mediation of human presence, known as ‘Sonzai-kan’. Shifting between XR games, Immersion Arcades and spatial home displays, their insidiously orchestrated relationship escalates into extreme idealization. Meanwhile, Souvd’s ex-girlfriend Ntzumi launches into undercover investigation.

Proyecciones del Limbo

Punto De No Retorno

A man in need of help eventually receives it, whether he asks for it or not.

A compelling narrative told entirely through subtitles, lights, and chairs.

A police officer finds himself worthless as he soon realizes there's no way he could put an end to a businessman associated with running a prostitution ring.

The film choreographically covers the distance between two women and their mirroring selves, under Laurie Spiegel's soundscape and with the ambiance of VHS video. Their bodies, sometimes two and others four, are always connected with a rope, influenced by white noise retro interference, sound scratches and pauses. They approach each other until they connect and then finally completely disappear, nullifying the distance between them. The reverse movement of these similar bodies-idols aims to compose a dance of the two and the one, our close and more distant self and to reach to the void in between them.