8 Points

Nearing the end of his university studies, a soon-to-be graduate reflects on his life up to this point, all through the lens of a Handycam his father used to use.

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.

An essay film about Jean-Paul Sartre and the French Existentialists, featuring Roland Barthes' last interview.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen.

During the COVID-19 pandemic, a trans body dreams of the birth of night.

A feature length documentary shot in Iceland on mediums and the relationship between humans and invisible beings such as elves ghosts, angels, water monsters and extra-terrestrials. The film is a journey to the frontiers of life questioning the scope of our existence. Are we alone in the universe? If life exists in other dimensions, it's worth knowing more.

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

A story of life and death, featuring Lozinski's six-year-old son Tomaszek and elderly people spending time on the benches of a Warsaw park. Riding his scooter, Tomaszek asks the elderly very adult, though basic, questions, which they are happy to answer. The boy's ideas of future and life are confronted with those of men at the end of their lives.

He is called the 'Socrates of the North'. He is also called the forefather of existentialism: Sören Kierkegaard, born in Copenhagen in 1813. At the request of his father, he studied theology. He sees himself as a poet and philosopher, but always on a mission to fight for an unadulterated Christianity. His fanatical fight against an overly saturated and bourgeois church sapped his strength to such an extent that he died at the age of 42. Kierkegaard did not only set great impulses in his time. He has not lost his topicality until today. His complicated personality, his radical demands become clear for the first time in his writings.

A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

Niño de Elche leaves the curtain ajar in the moments before the premiere of his show Coplas Mecánicas, with Israel Galván at Sónar Festival 2018.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

What happens to a person's self when she retires and no longer has the job to lean on? Documentary filmmaker Lars Lennart Forsberg asked that question to about ten retirees but never had the chance to complete his project. Olle Häger and Kjell Tunegård had to take over and let the e-mails exchanged between Lars Lennart Forsberg and Olle Häger become keys to "The Film That Didn't Get Made".

As an unwavering natural force, Maj Wechselmann produces at least one film a year, which is guaranteed to show troublesome connections between established power structures and maladjustments for people further down the hierarchy of society; this time through the Swedish Television photographer Claes-Göran Bjernér's fascinating fate of life. Bjernér, who reported from 23 wars in 83 countries, had his lungs injured for life in the poison gas disaster in Bhopal, India in 1984. The film begins with him almost dying several times, but miraculously returning to life. In interviews and archival photos, he shares his unique first-hand experiences of war, violence and corruption. A glowing agitation to never stop demanding responsibility for the world's tragedies.

18 seniors living in retirement homes get the chance to go on a holiday to Greece. In addition to old age, many suffer from diseases such as dementia, cancer and permanent lung disease, but with the help of their companions and Dimitrios "Tackis" Sahpekidis, they get to realize their dreams. In Greece, they are allowed to eat melon on the beach, dance the zorba, drink retzina on the balcony until late at night and swim in the Mediterranean. The motto is that there are no obstacles and that life should be lived all out, until the end.

In a dreamlike journey through the memories that formed him, Sergio's past comes to life before his eyes. With his grandparents' house in ruins as a vehicle of memory, he will question his first 10 years of life and why he considers them his Prelude, the foretaste of what his life and work would become. Among ghosts, he will have to make peace with his memory, his reflection and his name to find the color among the ashes and stop fearing the future.

"Film shot on the 'bench' from hundreds of photos, buildings, streets, towns unusually colorful for a North Mediterranean eye. The editing was composed on a score because the shots are generally very short, up to two images, and they do not follow each other "cut" or crossed but in "racket". The progression of shots varies from faintly colored recognizable to strongly colored unrecognizable. The soundtrack is composed of Arabic music that gradually turns into free-jazz. » Mannheim Festival, 1973