Remembering Ragtime

A bunch of British working class amateur filmmakers with nothing left to lose tackle one of Hollywood's greatest musicals in order to save their beloved Club. Britain’s oldest amateur filmmaking club struggles to survive, as its members grow old amid flickering memories and hardships. In the northern industrial town of Bradford, England, a handful of diehard amateur filmmakers desperately cling to their dreams, and to each other, in this warm and funny look at shared artistic folly that speaks to the delusional dreamer in us all.

It’s a story that made headlines: “Festival Film Banned!” In the late 1960s, the majority of films screened in Australia were censored in some way or another. DELETE the lovemaking. CUT the ‘Open Mouth Kissing’. REMOVE the fondling of the breast sequence. Deemed too ‘inappropriate’ and ‘morally corrupting’ for Australian eyes, these scenes were hacked from feature films and locked away in government archives. When young Sydney Film Festival director David Stratton attempted to program a Swedish film that the censors believed contained ACTUAL sex, a scandal erupted. In a mash-up of never-before-seen banned clippings, SMUT HOUNDS tells the story of how seventy-seven seconds of celluloid scandalised a government and transformed Australian cinema.

Initially, Ambivalent Future was intended as a film about the production of Kiyoshi Kurosawa's "Bright Future". But director Fujii has taken the "behind the scenes"-concept to unprecedented heights with this unique documentary offering a close look into the world of Kiyoshi Kurosawa, the auteur. Scenes from the surprisingly low key and relaxed production of "Bright Future" are of course sprinkled liberally throughout the documentary, but between these we are treated to interesting and revealing interviews with actors, producers and Kurosawa's many other collaborators. And perhaps the most surprising thing of all is how much of Kurosawa there is, talking candidly about his working methods and the philosophy behind it all.

A box found in an abandoned storage unit unearths a time capsule of correspondences from a forgotten era: the underground drag scene in 1950s New York City. Firsthand accounts and newly discovered footage help cast a long overdue spotlight on the unsung pioneers of drag.

This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.

A short documentary on how people view art and its value in today's society.

42nd STREET: RIVER TO RIVER is an impressionistic, graphic history of one of the world's most infamous streets: Manhattan's 42nd Street. Likened to a DNA strip of New York City, the street has ranged from the glamorous to the derelict, housing everything from peep shows to such international institutions as the United Nations. The documentary is an exploration of the street's expansion from the farmland where Washington bivouacked his troops to the flashy, commercial center that it is today. With historical information, musical performances and personal narratives, the film traces the rise, subsequent dilapidation, and eventual resurgence of a street that has come to represent a place where, notoriously, anything may and has happened. -from imdb.com

Bronx, New York, November 2019

Beat Goes On is an impressionistic portrait of the activist Keith Cylar (1958–2004), co-founder of Housing Works and a central figure in the AIDS Coalition To Unleash Power (ACT UP) NY. Cylar spoke clearly, frequently and with moral force about the struggles of people living with HIV/AIDS in New York City, many of whom were impoverished and struggling with multiple social and medical problems. His openness about his own drug use and the centrality of the fight against the criminalization of drugs for AIDS activism make Cylar's legacy especially resonant and relevant at this time.

Promotional documentary for the MGM film "Ice Station Zebra" focusing on the career and cinematographic innovations of cameraman John Stephens.

In this reportage, film professionals offer the viewers a peek behind the scenes at the Barrandov studios. We see how sets are constructed and we find out what sorts of things are stored in the prop department. The friendly commentary describes the journey from camera negatives to a film on the big screen. We learn about film technology and take a glance into film laboratories and editing rooms. The film also presents unique footage from the filming of The White Disease, namely the dramatic scene with five hundred extras in which the Marshal announces his declaration of war.

In 1892, Ellis Island, in New York Bay, became the main gateway to the United States for immigrants arriving increasingly from Europe. The story of immigration to the United States from 1892 to 1954, an enthralling polyphonic narrative that embraces both small and great history.

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.

This documentary interviews young people on war, religion, music, sex, and other topics. Part of NBC's Experiment in Television.

On February 4, 1999, 19 of the 41 shots fired in 10 seconds by 4 NYPD Street Crimes Unit cops hit Guinean immigrant Amadou Diallo as he stood in the vestibule of the building where he lived in the Bronx…. This video essay seizes on the grotesque factual precision of this numerical data, proceeding with an intense contemplation of how police violence is produced and then addressed by other forces on the city streets.

A documentary following Terry Gilliam through the creation of "Twelve Monkeys."

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)