Frigid Hare

The owner of a large house tells Tom he's going away for a while, the house is in perfect shape, and that he doesn't want Tom blaming "the mouse" (who's a family pet, in a cage) this time.

This short animation presents the haunting story of two brothers who share the scars, though not the memories, of an untold history that has driven them to existential extremes.

This is the endless story about an old couple lost at the end of their last days. The Oldman seems a baby who just eats, sleeps and watches television. The Oldlady seems a mum who cooks, cleans and speaks to him. This old couple could live anywhere in the world. Their country is death. Their only world is a long wait. The Oldlady has taken control of both lives because she is in much better mental and physical conditions than him. Day after day the Oldlady plans and organizes different ways to kill themselves. But for the moment she is not shooting well. Days will keep following until a small mistake or the correct shoot end the sadness of this harsh wait.

A funny portrait of hair lovers. Seductions, disappointments, fantasies…

A lad from a butcher shop is carrying a tray laden with a roast or a leg of lamb. A hobo grabs it and runs. The boy gives chase, joined by dogs, as neighbors watch the spectacle. The hobo jumps into a large rain barrel, followed by the dogs.

Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle while Mickey dances. After lunch, the train has trouble climbing a hill, and the last car with Minnie aboard detaches and runs away.

Mickey, Goofy & Donald have 10 minutes to fix Pete's car. Or else!

In front of a flour mill, two men fight. One is the miller, and he's swinging a bag of flour in the scuffle. The other is a chimney sweep, and he's swinging what may be a bag of flour, but when it breaks open, it's clearly something else. Well into the havoc, spectators gather and give chase to the flour-covered sweep and the "well-sooted" miller.

Possibly the first film to utilize the technique of focus pulling. A man kisses a beautiful and lively woman, then the image blurs and dissolves into a clear image of the man waking up to his nagging wife.

As an older man and a youth are eating at the table, the older man decides to amuse himself by using pepper to make the boy sneeze. Later, the boy retaliates by sneaking into the older man's room and putting pepper in his handkerchief, hairbrush, and clothing. But things quickly get out of hand when the sneezing that results begins to disrupt the whole town.

A bizarre adventure in which a young boy is chased by a masked phantom holding a severed arm in a graveyard. A man with one arm appears and is handed the severed arm by the phantom. Then a giant woman appears enveloping the boy. An unsettling and delirious apocalyptic atmosphere pervades the movie, designed as a trailer for a "film of the future."

A playful variation on A Soldier's Courtship, producer Robert W. Paul's smash hit from the previous year, this film spies on a young man trying to tease a kiss from a young girl doing the washing at a tub. For his efforts, the man receives a dunking in the tub himself and much hilarity follows.

A robber forces a luckless stroller in the park to remove his hat, coat, waistcoat and trousers.

An artist draws the head of a pretty girl, takes the drawing off the paper and places it on a small table, turning the image into the head of a real woman. He then continuous drawing the lady, one body part after the other.

A chorus of women are borne from the movements of a single dancer in this dreamlike "pas de trente-deux."

A jovial looking man is seated nearest the window of a restaurant. He has just finished his meal and the waiter brings a glass of beer, and when he places the glass upon the table, lo, a little sailor boy about six inches high appears from the foam, and climbing down the side of the glass, proceeds to dance a sailor's hornpipe on the table.

An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth of her child enters, places her baby in care of the professor, who promptly places it in the incubator. An alcohol lamp is lighted under the apparatus, but the professor evidently gets his machine too hot, for in a few seconds the top is opened and the baby taken out. To the great anger of its mother it has grown about two feet in height and has long hair and a full beard. (Edison Catalog)

Here we present a picture that simply convulses an audience with laughter. The scene opens in the bedroom of a hotel. A traveler appears, evidently a "little worse for wear." After stretching and yawning, he proceeds to disrobe. He throws off his coat and vest, but to his surprise and anguish, he suddenly finds himself clothed in a continental uniform. He throws this off in anger, but immediately a policeman's costume flies on him. This is in turn thrown aside in great rage and he finds himself clothed in a soldier's uniform. At last, thinking himself successful, he makes for the bed and finds a skeleton complacently resting on his pillow. The bed suddenly disappears, leaving him seated on the floor, and great quantities of bed clothes rain down from the ceiling. The picture ends leaving the audience simply convulsed in laughter. (Edison Catalog)

Ferenc a kráva

"Made with spray paint and hand-cut stencils, this film was an attempt at maximum plastic intensity… Places Breer for the first time among the major colorists of the avant-garde." – P. Adams Sitney