Graines d'étoiles, les années de maturité

The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.

Back To Africa

With the coveted glitter ball trophy once again up for grabs, how will series winner Chris Hollins fare against other celebrity favourites - including Austin Healey, Kelly Brook, Mark Ramprakash, Ali Bastian, and Natalie Cassidy? As they take to the stage alongside their professional partners including; Kristina Rihanoff, James and Ola Jordan, Brian Fortuna, Natalie Lowe and Ian Waite, in brand new breathtaking outfits and daring routines. They will need to impress judges; Len Goodman, Bruno Tonioli, Craig Revel Horwood and Arlene Philips. Who as always, are ready with quips, banter and razor-sharp observations!

It's hard to define her. And that's precisely the way Lady Gaga wants it. Yes, Stefani Joanne Angelina Germanotta had a plan to remake herself into an outrageous icon. It began with Italian Catholic New York City roots then expanded to glam pop, electronic rock, burlesque and even jazz alongside nonagenarian crooner, Tony Bennett. Piano lessons began at age four and taught Stefani to create music by ear. There were lead roles in high school standard Broadway show productions then open mic nights at downtown clubs and 1 1/2 years of formal training at N.Y.U.'s Tisch School of the Arts. Even a rape at age nineteen slowed but did not stop the mission that would yield over 200 million combined album and song sales. No wonder that Gaga's fans call her "Monster Mother." An outrageous fashion sense has wrought costumes made of plastic bubbles and raw meat. While elaborate videos and spectacular stage sets are the norm,

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.

From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.

La última muñeca

Habiter le mouvement (un récit en 10 chapitres)

Alone, Eva Fahidi returned home to Hungary after WWII. At 20 years of age, she had survived Auschwitz Birkenau, while 49 members of her family were murdered, including her mother, father, and little sister. Today, at age 90, Eva is asked to participate in a dance theatre performance about her life's journey. This would be her first experience performing on a stage. Reka, the director, imagines a duet between Eva and a young, internationally acclaimed dancer, Emese. Reka wants to see these two women, young and old, interact on stage, to see how their bodies, and stories, can intertwine. Eva agrees immediately. Three women - three months - a story of crossing boundaries. Whilst the extraordinary moments of Eva's life are distilled into theater scenes, a truly wonderful and powerful relationship forms among the three women.

The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.

A feature-length film about the life, work, influence and impact of California-based choreographer/Arts Activist Bella Lewitzky. Described as "...one of the greatest American dancers of our age," (Walter Terry) Bella Lewitzky was a talented, strong, out-spoken artist, who dedicated her creative life to protect the rights of every American citizen.

Although at first sight this might look like a simple ‘making of DANCER IN THE DARK’, the later developments in the film reveal the whole drama of Lars von Trier’s inner life during the shooting process. All his doubts and insecurities in collaborating with the crew and actors - especially actresses - are exposed. The biggest drama started when Björk walked off the set. Nobody knew whether she would be back or not. Admitting that he feels threatened by women, who can ‘make him feel embarrassed’, the director gives this documentary the nature of a personal diary. When he discusses the importance, purpose and beauty of the use of a hundred cameras in a certain sequence or the meaning of the Dogma 95 rules, the audience is witnessing the process of the artist’s search. Is the pain that the director went through during the shooting really visible in the final result, as Lars von Trier claims in this film? (from: http://www.idfa.nl/)

Chronicles the rise of Collab Crib, one of the first mainstream Black creator mansion, exclusively documenting their whirlwind drive to achieve social media stardom in 90 days.

Jag Mandir is a quiet and often overlooked film in the vast oeuvre of Werner Herzog. Apparently, 20 hours of footage was shot that covered the whole fest and the film hardly presents us a twentieth of that. A native walking into the film in between may well fail to immediately realize that it is his country that is being shown and these are figures from the mythology of various sections of his nation. The bulk of the film consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace of Udaipur, Rajasthan staged by André Heller.

Facing financial challenges and constant risks of injury, an innovative ballet company strives to bring the iconic Canadian story of Anne of Green Gables to new diverse audiences.

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

In this revealing documentary, burlesque star Immodesty Blaize examines the world of British burlesque and the resurgence in its popularity.

A love story, portraying the dilemmas and inevitable consequences of ambition. It is a film about a woman's fight for independence, a woman trying to succeed with her own art in the extremely competitive world of dance.

The remarkable spirit of tap dancers and their history provides a joyous backdrop for intimate portraits of hoofers Sandman Sims, Chuck Green, and Bunny Briggs.