It follows the filmmaking journey of two filmmakers as they navigate through the urban sprawl of inner KL during the pandemic. It showcases the city in a raw, exposed and gritty fashion but still with a certain charm. Throughout their filmmaking process, they capture the peculiar events in the life of three strangers: the son (Fakhrul Aiman), the outsider (Eli Orkid) and the hustler (Nidusmas). They happen to express themselves in extreme ways at the sight of their own reflection in “the vantablack” -- they snap into a state of mind where they lose all their inhibitions and show their true self in a very physical way: through visceral, almost primal dance movements.
A woman embarks on a journey through three pivotal stages, meditating on the cyclical nature of life, where the uncontrollable power of the sea reflects the essential purity of the world.
Contemporary Russia. Nadya gives up her dream of becoming a champion figure skater when she is hospitalized with an injury. But then she meets Sasha, a hockey player, who decides to teach her to believe in herself and her dream again.
Tak Lurus, which means “not straight” in Bahasa Melayu, brings about the marriage between technology and the arts. The dance short film uses light refraction technology to create a medium expressing the situations we undergo and emotions we feel, as we journey through this large medium called life.
A pioneer in Taiwan’s contemporary dance scene, Lo Man-fei receives a beautiful tribute from director En Chen, a decade after her passing. Three years in the making, Manfei traces the life and work of the dance legend, including her early days at the Cloud Gate Dance Theatre, her studies at New York’s most prestigious dance schools, and the founding of her Taipei Crossover Dance Company. Featuring rare footage of Lo’s graceful performances as well as candid conversations with her closest friends and collaborators, Manfei is a stirring journey into the heart of a true artist and a moving remembrance for a dearly missed member of the Taiwan art world.
When his first stage show fails, songwriter Cole Porter goes off to fight in WWI until, injured, he lands in a hospital. He impresses nurse Linda Lee with his creativity, but their budding romance must wait as Cole heads home. Back in New York, he mounts a series of popular shows, and when his work brings him back to Europe, he eventually marries Linda. But success doesn't spare him from marital complications or bad news about a beloved relative.
in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.
After their mother's femicide, three siblings are separated and forced to live in different places. Years later they gather to raise their voices and fight to be made visible in a country where orphans for femicide are ignored by the state and invisible to society. It's up to them to tell their story.
La Coronela (1940). Punto de partida
A single father in Paris struggles to care for his child and escapes periodically through contemporary dance.
Internal Clock
An international online digital dance collaboration.
Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.
After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?
The Rosie Kay Dance Company present a piece about the strange history and pop-cultural aftermath of CIA mind control experiments during the Cold War, with documentary segments by Adam Curtis.
Are we ever honest enough to be unaffected by lies? This is the question asked by Henrik Ibsen's drama Ghosts (Gengangere). Oswald Alving returns from a bohemian existence in Paris to small-town Norway. Encountering people who do not communicate, Oswald responds by becoming ironic and distant. He gradually learns more of the secrets that weigh on his family, as well as those inside himself. His mother, Mrs Alving, welcomes her much-missed son home - and slowly understands what, or whom, he has brought home with him. Together with the young, critically acclaimed choreographer Cina Espejord, she retells Ibsen's play as a ballet. The pair feel the story is suited to dance because both it's inner and outer brutality can be pitted against the power of dance. Ibsen's Ghosts is an evocative production in a modern dance style. Nils Petter Molvær has composed new music, which he performs on-stage together with Jan Bang.
A videodance short-film of the avant-garde / experimental dance group of the same name based on the book "Húmus" (released in 1917) by Raul Brandão.
In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.
The story of Ohad Naharin, renowned choreographer and artistic director of the Batsheva Dance Company, an artistic genius who redefined the language of modern dance.
Eva, an indecisive dancer, is going to an audition for a famous dance school in a week. What Eva wants to dance is not the same as what her teacher, Dania, thinks is right. What does Eva do?