Det danske Congo-Æventyr - Hjælperne

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A chronicle of Nobel Prize winning physicist Marie Curie's little known yet invaluable contribution to wounded soldiers' treatment during World War I, and her professional partnership with radiotherapy pioneer Claudius Regaud.

During the early 1970s, hundreds of peasants in a remote region of El Salvador began to emulate the early Christians, working the land together and building communities based on solidarity. By the late 1970s, thousands of peasants in northern Morazan organized to resist National Guard repression which often involved torture and executions. In 1980s, the military engaged in scorched earth operations against their villages, inaugurating a 12-year civil war. The Word in the Woods tells their stories. The film's protagonists must reflect upon their struggles in the light of current reality.

This film provides contrasts and similarities among the three countries. In Norway, Deneen visits with a fishing family from the small city of Alesund, in Denmark, with a farm family, and in Sweden, with the family of a glassworker. The countries are contrasted in terms of natural resources and reliance on trade.

With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.

Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation, the movie, is a kind of mondo film dotted with occasional glimpses of actual sex.

This is a short documentary about the old City of Buenos Aires and the new one. It’s an observational piece where the old photos of the same places invite us to live in the old Buenos Aires for a few minutes.

By 1314, through effort and intrigue, Scottish King Robert Bruce had captured every major English-held castle except Stirling. Now English King Edward II would try to stop him - and subdue the Scottish rebellion forever. This is the story of the pivotal campaign culminating at the decisive Battle of Bannockburn, in the shadow of Stirling Castle. Today as Scotland contemplates a countdown to a referendum for renewed Scottish independence, we search the hearts and minds of the characters whose efforts at the Battle of Bannockburn would build a nation. Filmed in the style of 300 and Sin City and with intense and bloody battle scenes, we bring to life one of the most iconic times in Scottish history.

A quartet of powerful, hard-hitting short films that lay bare the disturbing reality of everyday life in the Democratic Republic of Congo.

The intention of the film is to give an impression of what small exotic Denmark looks like, what the strange Danes look like and how they are. Nearly 100 Danes are presented in the film, amongst them a racing cyclist, a Minister of Finance, a popular actor and 13 unmarried women from a provincial town. "There is too much fogginess and rain and melancholy in most of the pictures of Denmark," says Jørgen Leth. "But not in my film. I would like to show you some authentic, clear and beautiful pictures from this strange country."

The story about Danish national football (soccer) team, a traditional minnow until the mid-1980s when they improved dramatically and eventually went on to win the European championship in 1992.

Cuando España se desnudó

A short collection of local legends and ghost stories about Erie, Pennsylvania, and its surrounding areas. Produced by and aired on WQLN Channel 54 Erie.

Telescopic chronophotography of the 1882 transit of Venus as observed from Lick Observatory.

A melancholy and affectionate look at the global obsession with movies, "TINSEL - The Lost Movie About Hollywood" was lost for 30 years and never shown publicly. An outside-in, inside-out view of the Motion Picture Industry circa 1990, it is a film about fame in general and the love of movies in particular. The film includes new footage offering perspective from the 21st century. The film examines the uncertain future the industry faces in its second century, as technology and new platforms change the movie-watching experience forever.

A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.

Profumo di Zagara

In 1894 career criminal Jack Black came to Victoria BC looking for a burglary spree. This film recounts the episode with scenes from present-day Victoria and narration from Black's own recollection.

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

Hitler et les apôtres du mal