Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.
A detailed investigation into the political and economic interests that, since the beginning of the 20th century, have pulled the strings of the arms trade, hidden in the shadows, feeding the shameful corruption of politicians and government officials and promoting a state of permanent war throughout the world, while they cynically asked for a lasting and universal peace.
Gabrielle and Yoan are 18 years old. Even though they both grew up in Temiscamingue, their aspirations are opposite. While Yoan wants to leave the area to break away from his loneliness and explore his homosexuality, Gabrielle is torn at the thought of going over a hundred kilometers away from home to carry on with her studies.
DVD #3 of Psalm.83: The Missing Prophecy Revealed, by Bill Salus; The present hostilities experienced in the Middle East between the Arabs and Jews can be traced to a disposition of hatred, originating almost four thousand years ago. In this teaching video, Bill Salus explains how the ancient family feuds between the Middle East patriarchs and matriarchs are the underlying roots of today's Arab-Israeli conflict. Find out what nations were formed from their loins and why their descendants still covet the rich content of father Abraham's unconditional covenant.
In the Espinhaço Mountains one winter, a group of small-town Brazilian girls are experiencing the end of their youth. Impossible romances leave marks on their bodies and the surrounding landscape. Each of the friends finds her own particular way to overcome the loneliness and to live within a tangle of uncertainty.
Charlie is an awkward teenage boy who can't get over his ex-girlfriend. After his attempt to win her back goes horribly wrong, he and his bumbling friends (Ben and Ricky) head to the streets to try and learn how to find love. As their fourth friend films them, the boys hear a variety of perspectives on what love is, and attempt improve their abilities to make women swoon.
Archaeological gardens and tunnels are built. Khaled and other Palestinians lose their homes. Lawyer Ziad gets angry new clients every day. Arieh and other Israeli settlers move in. PeÅ Holmqvist and Suzanne Khardalian follow a turbulent Jerusalem, 50 years after Israel took full control.
Following a single father & his 3 kids, watch the struggle, stress, & strength of what the everyday life is like growing up & those growing pains called life.
Documentarian Ra'anan Alexandrowicz accompanies a Palestinian tour group on a three-day sight-seeing trip to Israel.
A free-flowing, poetic short film filled with expressionist imagery, old photos and abstract moments, led by a voice-over in which the director tells us personal memories of his youth and his recent life in the hopes of sketching a clear image of the complex struggle of growing from an innocent child to a weary adult.
A visual study of the investigation by Forensic Architecture into the Israeli cyberweapons manufacturer NSO Group and the use of its Pegasus malware to target journalists and human rights defenders worldwide.
Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.
Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
Disturbing the Peace follows a group of former enemy combatants - Israeli soldiers from the most elite units, and Palestinian fighters, many of whom served years in prison - who have come together to challenge the status quo and and say “enough". The film traces their transformational journeys from soldiers committed to armed battle to non-violent peace activists. It is a story of the human potential unleashed when we stop participating in a story that no longer serves us, and with the power of our convictions take action to create a new possibility.
“Let’s see if you gained any weight. 26,3 kilogram. Ahmet, you need to eat more. Double meals.” Like other boys their age, Baran, Ahmet and their classmates wrestle with the desire for recognition, with homesickness and with their target weights. Most of all though, they wrestle with, and against, one another. They are comrades and competitors, united by one and the same dream: Olympic gold! In their wrestling academy in the Turkish province of Amasya, which is well known for this traditional form of combat sport, they undergo strength and endurance training, they learn lifts and throws, they urge each other on and they console one another. Always responding to the boys’ needs, the trainers give the boys tough love, sometimes fatherly, sometimes strict and disciplinary. The film’s intimate documental camera bears close witness to the fine line between friendship and competition, victory and the lesson of how to lose.
An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
By the age of thirty he’d already become the most famous poet in the Jewish world. He spent very few years living in Tel Aviv, but he loved the city dearly. Some 100,000 people attended his funeral in 1934. “King of the Jews” is a portrait of the most beloved Jew of his day, Chaim Nachman Bialik. Combining special animation, a voice track by Chaim Topol, rare archival footage, long-forgotten photographs, poems by Bialik performed by Ninet and interviews with the foremost Bialik researchers and fans in Israel and around the world, this film retells the story of the little boy from the shtetl, who became King of the Jews.
Filmed over five years in Kansas City, this documentary follows four transgender kids – beginning at ages 4, 7, 12, and 15 – as they redefine “coming of age.” These kids and their families show us the intimate realities of how gender is re-shaping the family next door in a unique and unprecedented chronicle of growing up transgender in the heartland.
Flying Paper tells the uplifting story of resilient Palestinian youth in the Gaza Strip on a quest to shatter the Guinness World Record for the most kites ever flown.
It is the story of a little hair salon in the heart of the Arab community in Haifa (Israel); it is the story of a friendship between Arab and Jewish women in the city, which is considered a model of coexistence; and it is the story of Iris, the director, who worked as a hair washer at the salon so she could get to know women of the neighbourhood. Through her interaction with the women, in this unique frame, Iris wishes to tell the story of the community from the personal experience of the film's subjects, and to explore what it reflects of Israeli society.