PICTOR

As a woman attempts to outrun her intrusive thoughts, her evening begins to unravel alongside her mind.

A person spends some time in a room

A man comes home and realizes that something else came home with him.

Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

Frames, movements and reflections.

Starring Masahiko Nishimura, "MADO(Window)" is an extremely closed, socially conscious drama based on a true story of the actual court case known as “Yokohama Secondhand Smoke Trial" in Japan, This is the first feature film directed by a successful commercial director, Mao. Being a son of the plaintiff, he had a great passion for tackling this sensitive issue caused by chemical sensitivities.

“The ocean is the only crossing to reach Mount Analogue. Through each wave, which breaks into each of the primary colours, a gateway opens to a new perception...”. First piece of a short film series, inspired by the pre-Hispanic myth of the Sixth Sun.

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

the franklinia flower, now extinct in the wild, appears here as a printed image (a drawing from 1782) pinned against a kitchen wall. hand and figure move disjointedly. the light of day gives way to electricity, to darkness, and to morning. recorded on a video camera built in 2002: an obsolete image tracing some accidental gestures and capturing a form of life existent only in cultivation. some fragments of vermeer, general electric, and chiquita brands international.

An exploration into perceptual processes in the act of seeing and listening, Chiasmus takes film as a metaphor for the breathing body, through the intercrossing of the medium and the fragmented images of the body in movement. The rhythm and tension created by the interplay between sound and image, and their disjunction and conjunction, aspire to an organic and sensual moment where inside becomes outside, and outside inside.

Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?

Noise, static, channel change...

Optical art with camera movement.

Time lapse of clouds and a mimosa tree to the silhouette at dusk.

Am I? I don't know. I know? I do not know.

A personal reflection on hands, the word "tear," and caring for oneself that experiments with sound, silence, and definitions.

This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.

After his death, a young man stuck in purgatory attempts to cope with the afterlife.

The history and trauma of two men, brought together by war, is exposed when a mysterious visitor treads familiar ground.

Be. Belonging. Words on vintage flash cards shuffle past in a stream-of-consciousness that shows the mind working, assigning labels and names to things through love and language. In the space of a moment, perception embarks on an epic journey of tongues, through Cantonese and English sounds and Ektachrome memories that form the characters and identity of this American-born Asian filmmaker.