Jean-Baptiste Grenouille, born in the stench of 18th century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. However, his work takes a dark turn as he tries to preserve scents in the search for the ultimate perfume.
The goatman is back, and he's out to get you. Are you fast enough to out-ride the legendary creature?
Gary, a musician, is trapped in an unhappy relationship with his live-in lover, Dora. He becomes enthralled with a beautiful seductress who enters his dreams, and tries to control his dream-state so he can spend more and more time with her. When Gary sees his mystery woman's face on a bus billboard, he discovers she is real, and fate brings him an opportunity to meet her.
Rencontre(s) is an immersive, interactive and multisensory experience that invites you to live the legendary moment during which Gabrielle "Coco" Chanel and perfumer Ernest Beaux meet to choose the perfume that would become Chanel N°5 in 1921. Actress Marion Cotillard lent her voice to interpret Gabrielle Chanel in this virtual reality project.
Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.
Advertising surrounds us. It is part of our lives, our memory and our culture: it is a pure reflection of our society. However, those who think and create ads are unknown people. Playing with the mechanisms of publicity as a narrative resource, we enter this medium through Spain's best creative director: Toni Segarra.
The TV Commercials 1973–1977 (1973–77/2000) is a compilation of four video works—TV Ad (1973), Poem for L.A. (1975), Chris Burden Promo (1976), and Full Financial Disclosure (1977)— that were aired as purchased spots on television between 1973 and 1977. Burden notes: “During the early ’70s I conceived a way to break the omnipotent stranglehold of the airwaves that broadcast television had. The solution was to simply purchase commercial advertising time and have the stations play my tapes along with their other commercials.”
Ad man Jonathan Blake gets tired of his work and runs away to a time travel agency for the first flight out.
London publicist Helen, effortlessly slides between parallel storylines that show what happens when she does or does not catch a train back to her apartment. Love. Romantic entanglements. Deception. Trust. Friendship. Comedy. All come into focus as the two stories shift back and forth, overlap and surprisingly converge.
While trying to expose corruption and greed, television reporter Edison Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.
The history of the eau of Cologne goes back to almost four centuries, a history formed by extraordinary myths, family feuds and treacherous acts of commercial plagiarism. Its gradual use is a reflection of the evolution of society and its morality, in relation to body and hygiene, a gesture of intimacy. First perfume of kings, then the most popular fragrance, within reach of all the pockets.
From 1957 —the year in which the Soviets put the Sputnik 1 satellite into orbit— to 1969 —when American astronaut Neil Armstrong walked on the surface of the moon—, the beginnings of the space conquest were depicted in popular culture: cinema, television, comics and literature of the time contain numerous references to an imagined future.
Nobody captured the atmosphere of 1990s Berlin better than German photographer Daniel Josefsohn, who died in 2016 at the age of 54, leaving his mark in advertising with his irreverent aesthetic and punk sensibility. It was his spontaneous, imperfect images shot for an MTV campaign in 1994 that first made him famous.
Short film in honor of Justin Bieber's new perfume "The Key".
Laundry soap brand Rinso was quick to jump on the 1940s fuel rationing bandwagon and remind housewives that, unlike other soaps, Rinso required very little hot water (it was customary to boil clothes at the time). This ingenious two-pronged marketing approach - bolster the war effort while increasing sales - was in keeping with the soap manufacturer's pioneering approach to advertising.
In an anachronistic dystopian landscape, a beleaguered young man attempts to navigate his way through the indie film scene in LA.
Advertising execs Melanie Welsh and Donovan Goodwin disagree on a cellphone Christmas commercial they’re pitching. He says his sleek design will win over the client but she knows it lacks holiday spirit.
Woo-jin, a furniture designer who wakes up in a different body every day, falls for Yi-soo, a woman he meets through his work.
The story takes place in a dystopia deprived of freedom of making choices and begins as the protagonist, decides for the first time in his life to escape to Yass Land where any decisions are celebrated. He escapes a fictional land in which the civilians' actions are controlled and monitored by the government. The actor deviates from the controlled community for freedom in YAASS land. As he flees, viewers are given two actions that the actor could take. The story continues on from the actions they choose, leading to different endings.
A woman and her husband become the target of their fertility doctor.