Riders on the Storm

The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?

It is normal for 15-year-old Linn to have two mothers. But when she finds out that there are still numerous siblings, she realizes that she is part of an extraordinary extended family. Her father Eike not only had an appointment with Linn's mothers to donate sperm, Petra and Anny also have three children with him. A film crew followed this rainbow family for twelve years.

A well-established writer fights his family demons while the dreamers on top of the hill struggle with their health and hope for good fortune. A successful businesswoman has plenty of the latter; still, when her daughter’s singing career takes off, she starts questioning her own professional choices. A nagging doubt is also tormenting an underwater construction worker, who wants to show his son a mysterious dark lake. This visually striking film is a subtle narrative, a love story between people and a fading city.

The film is an intimate record of a difficult period in the life of the creators. The main character, eight months pregnant, was diagnosed with aggressive breast cancer. The dramatic event disrupted the joy associated with the birth of her child.

Watchman Guangdong and his wife Baoyan have devoted their lives to their only son, Zhaohang. When he leaves China to pursue a music career at the Estonian Academy of Music and Theatre, the couple must confront the emotional void his absence creates. Through phone calls, they try to guide Zhaohang from afar, but his journey is shaped by both his deep desire to please his beloved father and his own personal ambition.

A portrait of a relationship between three generations and how it shifts between the search for closeness, understanding and acceptance, as the teenage son steps closer to adulthood. The film continues to follow the lives of Tero and his son Henri, both previously featured in Kärkkäinen’s documentary The Living Room of a Nation.

Capturing life of a family with a disabled father and deaf mother in a Chinese village during the lunar New Year. Yao, a successful businessman in Beijing, left home young. Now middle-aged, he returns to face demons from the past and fulfill his parent's dying wish to settle down and complete the family.

Biggi lives with her two daughters, four dogs and her exboyfriend Alfred on a dilapidated farm in a small village in Saxony-Anhalt. Biggi and Alfred are out of work and they live very modestly. The 14 and 17 year-old daughters Saskia and Denise should really go to school, but there are always reasons for them to stay at home. This gives rise to tension with Alfred. We accompany them during their conflict-ridden everyday lives and learn something about their dreams, fears and hopes. And how difficult it is to break out of a circle.

After twenty-five years spent in France, I return to Bulgaria, camera in hand, with a vertiginous suspicion: what if my family had collaborated with the political police of the communist regime? And what if they were part of the "red trash" that the demonstrators on the street want to see disappear? I decide to investigate and to film, constantly, ready for anything. My adventure transforms itself into a tragic comic odyssey; a film that combines espionage with family.

A couple rehearses their argument.

La vida más larga

min krop, men mit hoved

Parents and children are reunited after 13 years apart. This is the starting point of the film, which follows the process of affective reconstruction of director Marcos Yoshi's family, crossed by the flow of migrations between Brazil and Japan, known as the dekassegui phenomenon. The story of a family of Japanese descent torn between the need to make a living and the desire to stay together.

13-year-old Anderson Cefola documents his month-long grounding in 2018 with an old handheld camera he kept.

Madrid, Spain, March 2020. As the merciless disease that plagues the world spreads through the increasingly deserted streets of the city, people barricades themselves in their homes and move on with their lives…

In July 2025, alongside the official launch of Olduvai Production, filming took place for 4 CORNERS: a project initially conceived as a documentary that, during post-production, evolved into a series of intimate and profound conversations about the life of Tenuun Gantushig, a young man originally from Mongolia. Through four chapters (like the four corners of the ring, symbolizing Muay Thai), the project tells the different facets of his life and personal journey.

Director Juan José Arias uses old family videos to try to find out what kind of person his father was. His image comes back in dreams, his voice whispers in the smell of rain and his embrace lies in an old house in the country where they used to spent the holidays. Reality, memories and dreams blur together in a poetic way.

A short film about ties and gaps between a child and a parent. The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family´s break-up but also trying to understand.

A heartwarming story about a precautious, 8-year-old girl exploring the world with her globetrotting father and growing up in an unconventional family.

A mother and daughter, estranged by divorce and mental health issues, reconnect through patience, understanding, and their a shared appreciation of their Native Hawaiian heritage.