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Britney Spears has said that her conservatorship had become “an oppressive and controlling tool against her”. This New York Times investigation reveals much of how it worked, including an intense surveillance apparatus that monitored every move she made.

Interviewing skinheads across Europe, this film explores the apparent contradictions between being gay and living as a skinhead.

A bus stop on an industrial highway in New Jersey becomes the focus of a timely and intimate examination of marginalized lives in America. 'The #1 Bus Chronicles' interweaves portraits of the lives, pursuits, trials, and dreams of the riders of New Jersey Transit's #1 bus line, taking us into their workplaces, homes, and day-to-day lives.

An intimate documentary portrait of world-class improvisational and traditional pianist Mike Garson as he tours, performs, and teaches.

A journey through Greece and Europe’s past and recent history: from the Second World War to the current crisis. It is a historical documentary, a look into many stories. «If Democracy can be destroyed in Greece, it can be destroyed throughout Europe» Paul Craig Roberts

A documentary filmed behind the scenes of the Bon Jovi's Lost Highway tour in 2008.

A study of Tennessee Williams's life and work as a whole, ranging from his youth in Mississippi and in St. Louis to success and acclaim, followed by the final difficult years. Includes some of the most celebrated scenes from film adaptations of Williams' work, among them extracts of A Streetcar Named Desire (1951),Cat on a Hot Tin Roof (1958), Night of the Iguana, The (1964), and Suddenly, Last Summer (1993) (TV). Contains footage of Williams being interviewed, including conversations with David Frost, 'Edward R. Murrow (I)', and Melvyn Bragg, as well as reminiscences from people who knew and worked with him, among them Edward Albee, Gore Vidal, and his lifelong friend, Lady Maria St. Just. Features readings from Elia Kazan's Notebook by Kim Hunter.

Shortlisted for the 92th Academy Award for Best Animated Short Film, Mind My Mind has come a very long way. The first idea originates from 2009, and production started back in 2013. This making-of includes an in-depth interview with writer/director Floor Adams about the ideas behind the film, early artwork, shot progressions, behind-the-scenes footage of voice actors and foley recordings, and a selection of Floor's personal videos of key moments that happened during the production. (CinéTé Filmproduktie)

A documentary about the world of portuguese cinema, with interviews with some critics and directors.

Counter Shot: Departure of the Filmmakers

Le Club: Claude Jade

Drawing on rare footage from film and television archives around the world, this is the comprehensive independent review of Motörhead from 1977 through the whole of the Bronze era and the beginning of the next chapter with the mighty Orgasmatron. Includes the first ever candid interview with Gerry Bron, former boss of Bronze records. Every single album is critically reviewed and assessed by a team of leading rock critics and musicologists. Featured here are all of the classics which propelled Motörhead to the top of the rock world including Motörhead, Overkill, Bomber, Ace Of Spades and many more.

Featurette documenting the making of the film "Death On The Nile".

Director Guy Hamilton and several of the stars of Agatha Christie's "Evil Under The Sun" walk you through the making of the film.

An interview of Tomás Milián discussing his performance in Umberto Lenzi's Almost Human.

Director Umberto Lenzi, writer Ernesto Gastaldi and stars Ray Lovelock & Gino Santercole discuss the making of Lenzi's Almost Human.

An interview of Umberto Lenzi discussing the making of his film Almost Human.

Horst Wendlandt tells the story of his cinematic work since the sixties. The dialogue between the "old and the young filmmaker" creates a fascinating spectrum of German film of the recent past.

When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966. Not only in France but all over the world, Truffaut's Hitchcock interview developed over the years into a standard bible of film literature. In 1983, three years after Hitchcock's death, Truffaut decided to expand his by now legendary book to include a concluding chapter and have it published as the "Edition définitive". This film describes the genesis of the "Hitchbook" and throws light on the strange friendship between two completely different men. The centrepieces are the extracts from the original sound recordings of the interview with the voices of Alfred Hitchcock, Francois Truffaut, and Helen Scott – recordings which have never been heard in public before.

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