A documentary about the sea and memory. Its movement is its form. Its strength.
The Third Rule
Three men in a descending hot air balloon over an icy sea must get rid of weight. After a vote, they throw one out of the basket. The man clings to the long line under the balloon and refuses to let go.
Poppy Valentine, a young circus performer who has grown up in her family's traveling circus, has never dreamed of what life would be like outside of its fences. However, now in her mid-20s and with more unwelcomed responsibility weighing her down, she's desperate to figure out if this life is for her.
Yukari Nishihara, 25, earns her living as an art model and aspires to become an actress. One day, while she was out, she saw “a man's face about to jump off the roof of a building”, and since then she has been suffering from a peculiar constitution: she sees a suicide while on her period, faints, and develops a fever. The goddess of love does not smile on Yukari, who is unable to become a sweet girl with a nice boyfriend. The only things that can save Yukari now are her best friend Hana, who has a keen intuition, and a suppository that can break a fever in one shot. On the day of an important audition, Yukari has decided that this is her last chance. However, Yukari realizes that she has forgotten her antipyretic suppositories, and her eyes meet those of another soon-to-be suicide victim. She is in a desperate situation. What does Yukari do?
Born blind, an individual gains sight through surgery. Thus begins a visual encounter — the first of their life.
Rain
A washed up actor performs night after night in a grimy theater to a nearly empty audience. However, everything changes when a clueless dog jumps on stage.
Social media corrupts the mind of a young University student--but can he escape the psychological torment of alienation?
Lydia Lunch and Richard Kern's first collaborative effort, The Right Side of My Brain, is a glimpse into the world of unsatiable female lust, narrated by Lydia Lunch. The film was initially dismissed and dismayed by critics such as J. Hoberman, but the criticism of The Right Side of My Brain received only pushed the two to go one step further with Fingered (1986).
The restlessness creeps into a claustrophobic situation where a typist confronts the recorded voice of the writer she works for.
FaZe Rug moves into a new home, unaware of the creepy clowns who live next door.
Spoiled seven-year-old Vanka lives a carefree childhood. Going with his father to the Maslenitsa holiday, Vanka meets a runaway deserter in the forest, about whom he tells the adults. This act instantly deprives Vanka of his childhood, and the father of his child. The event opens his eyes to the adult world in which the child will have to live on.
A dreamy lo-fi pseudo-intellectual experimental short contemplating the role of the number 7 historically as a symbol across cultures filtered through the lens of 8th graders
What if you rediscovered the script you wrote when you were 12? And what if you performed it with real actors, without changing a word? In this unique comedy, actors faithfully bring their director's hilariously bad childhood script to life, while their "Teacher" Michael Smallwood uproariously reacts to the chaos.
From afar, the suburban lifestyle may appear as a sort of utopia; but be sure to gaze beyond the veil, for dire horrors and troubled intimacies will arise in the most unpleasant of forms.
A man attempts to operate a mysterious device, but with each attempt comes a new set of problems.
Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.
De Novo, Perdição